Some theatres are seemingly immortal, but they all have to end at some point. Several long-running companies have dissolved recently in Chicago or are in the process of mounting their last production, and they’ve gone with varying degrees of dignity. Mary-Arrchie, I’m glad to say, closes with an excellent production of David Mamet’s American Buffalo, a play which is appropriate for a number of reasons. The 1975 drama is historically symbolic of the rise of Chicago’s storefront and upstairs theatres, such as Mary-Arrchie’s slated-for-demolition Angel Island space. Its gritty, unsentimental, darkly humorous depiction of life’s losers fits well with the aesthetic Mamet’s emulators popularized, and which became associated with Chicago plays in the latter part of the last century.
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