These are Chicago Critics Must See shows. If you are only going to see one show let us recommend one of these great pieces of true Art!
When it was first serialized in La Revue de Paris in 1856, Gustave Flaubert’s scandalous masterpiece was attacked for obscenity by public prosecutors. Flaubert was acquitted, but the trial made Madame Bovary a notorious bestseller, now considered a seminal work of realism and one of the most influential novels ever written.
Read MoreThough the arrangement is probably old, a large part of what makes this performance successful is how conductor Stephen Alltop is able to scale up Handel’s chamber piece to the massive scale of Orchestra Hall, where I saw it, and the upcoming performance at the Harris. Handel was only writing for a chorus of a couple dozen, but the Apollo has over 110 singers
Read MoreFor years The Santaland Diaries has been a staple of holidays shows. it is how Mitchell Fain both commands the stage and how he personalizes the story without making drastic changes to David Sedaris’ script. One only has to witness Fain’s opening to see a master comic and a terrific actor doing his craft. Fain’s skill at engaging and audience with his crude but very human honesty. There may be others who can play “Crumpet, the elf” but no one humanizes the cynical character as does the sharp-tongued Mitchell Fain. He is a major comic talent at the top of his craft.
Read MoreNot produced at the Lyric Opera since 1985 when Joan Sutherland soared in Anna Bolena, this new production reaches the heights of the bel canto style (beautiful singing) with matching register and tonal quality of the voice to the emotional content of the words. Led by the powerful and stylistic soprano Sondra Radvanovsky as Ann and the smooth mezzo-soprano from Jamie Barton as Anna’s rival for the affections of King Henry, this melodic production of Donizetti’s Tudor-inspired 1830 opera is a major triumph for the Lyric!
Read MoreThe story is minimal but allows Joffrey to establish a tone of vaguely holiday related fancy. A family is hosting a Christmas party. The older child, Clara, is calm and well-behaved, while her hyperactive little brother Fritz is everywhere at once. A magician, Dr. Drosselmeyer, arrives and produces mechanical dolls to delight the guests. Gifts are exchanged; some genius gave Fritz a bugle. Dr. Drosselmeyer gives Clara a figurine nut cracker in the shape of a soldier, which Fritz breaks within two seconds. That night, the dolls come to life and battle against mice trying to eat them. Clara saves the nutcracker by bonking the mouse king with her slipper, and in gratitude nutcracker, now a handsome prince, takes her and Dr. Drosselmeyer to a magical kingdom to be entertained for the night.
Read MoreMary Poppins has all the elements of a GREAT musical: excellent book based on P.L Travers’ children’s Mary Poppins books. Terrific catchy tunes—“Chim Chim Cher-ee,” “A Spoonful of Sugar,” “Feed the Birds,” “Supercalifragilisticexpialidocious” and “Anything Can Happen” with music in the style of early 20th Century British music halls, melodic marches and anthems; fantastic staging with vivid lighting on terrific sets; spectacular show-stopping dances and thrilling flying scenes that include Matt Crowle (as Bert) tap dancing and spinning around in the showstopping “Step In Time”.
Read MoreThe centerpiece of the play is a lengthy monologue from John about what exactly was the cause of his marital strife. Armacost was amazing in this scene; he told the story as if he were reliving it. At every step I understood exactly what John was feeling, even as he acknowledged behaving wrong or foolishly. Goss is a very good listener, which is a more difficult skill than you might think even during a performance as strong as Armacost’s
Read MoreIt is difficult to tell a memory story from monologues from the six characters but with playwright Catherine Trieschman’s down-home dialogue, she succeeds. We meet a group of white trash small town folks who are both sexually charged and stupid as a bag of rocks. Th laughs emerge from the wacky monologues as each participant recalls the events from a scorching hot summer Sunday in rural Georgia
Read MoreUnlike most reviewers, I’m new to Chicago and had never seen the Goodman’s A Christmas Carol before. Therefore, I can’t say how this production is different from the previous thirty-six years. But I can say it’s well-crafted in every regard, and sincerely tells Charles Dickens’s story as though it were only just written and not a yearly tradition.
Read MoreBased on the Frank Capra film and based on the short story“The Greatest Gift” by Philip Van Doren Stern Directed
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