MUST SEE

These are Chicago Critics Must See shows. If you are only going to see one show let us recommend one of these great pieces of true Art!

MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Bulrusher

Bulrusher is a coming-of-age story about a pure innocent as she struggles to find both her personal identity, her racial identity, and her sexual identity. Finding out who and what you are is a daunting journey but Bulrusher’s strength and her rare powers serves her well. Once she comes to terms and meets her mother, she emerges as s woman ready to face the changing world of the 1950’s

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MUST SEEOperaREVIEWSREVIEWS BYTom Williams

Simon Boccanegra

The lush melodies were sweepingly romantic as they exude richly deep emotions. The unity of music with libretto in Simon Boccanegra worked strikingly well with the baritones and bass. The two romantic duets are to be cherished. The preponderant of low male voices seemed a tad dark until the music and the glorious soprano from Krassimira Stoyanova balanced the sound in her Lyric debut.

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Wasteland

Who would think that a female actor/director could write a play about Vietnam? But Susan Felder sure did and its a terrific gritty war drama. With a swiftly paced intensity and loads of suspense, Wasteland unfolds as a riveting two-hander upon an awesome set (by Kevin Depinet) that depicts an American solder, circa 1972 captured by the VC and isolated in an underground cave

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Broken Glass

Why is Sylvia Gellburg (Jacqueline Grandt) paralyzed from the waste down when medically she seems fine? Why does Phillip Gellburg (Neal Grofman) come off as attacking, argumentative and self-loathing? What does the horrible news of Kristallnacht in Berlin in November of 1938 so upset Sylvia that she seems obsessed with fear that the attacks on Jews could come to her Brooklyn neighborhood?

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MUST SEEOperaREVIEWSTom Williams

Operetta’s Greatest Hits

Kudos to the creatives at Light Opera Works for creating a revue of the finest songs from Viennese, Berlin, London, and American operettas. These wonderful songs can easily stand on their own devoid of plot. They range from waltzes, ballads, polkas, and marches contain lush music and fine lyrics; romance, frivolous encounters, often satirical, and sentimental tones prevail.

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