These are Chicago Critics Must See shows. If you are only going to see one show let us recommend one of these great pieces of true Art!
I must say that Larry Yando is the ultimate Scrooge. He moves from scary to pathetic to glowing kindness as he comes to grips with his folly. With a blend of terror and humor, Yando get us to first hate then love the money-hording old man.
Read MoreDonizetti’s delightful Don Pasquale (1842), which opened today at Chicago’s Lyric Opera, is an embarrassment of bel canto riches, with a seemingly endless stream of glorious Italian melodies wedded to a lighthearted yet often witty comedic plot about an elderly man who gets more trouble than he bargained for when he decides in his 70s to finally get married.
Read MoreThis year I admired The Christmas Miracle of Jonathan Toomey more than last year. Maybe, it was because of the message or that this year’s production was tighter? What ever the reason, this wonderful show reached me better than most holidays shows. It is a family friendly affair.
Read MoreThe kind of warm, witty production that shames most other holiday fare, this is a must see for the whole family this holiday season!
Read MoreCourt Theatre returns after nearly ten years to remount their successful holiday show based on a James Joyce short story- The Dead. As conceived and written by Richard Nelson with music by Shaun Davey, The Dead is a special, gentle and wholesome holiday musical. This time around, director Charles Newell and music director have a new cast that features an array of actors who can sing with several actor/musician to give the production an intimate realistic flavor.
Read MoreUnder director/choreographer Tammy Mader, dancing and tongue-in-cheek humor fuels the fun-filled romp back to the 20’s where the girls wore short hair and skimpy dress and the guys donned stripped pants and loud jackets. It was the era of fun times, especially at speakeasies and dance clubs.
Read MoreEvery policeman, watercress, ER nurse, and cab driver knows that two events trigger weird behavior in the public: a full moon and a major holiday. After a ten year run from 1992 through 2002, Will Kern’s Hellcab is being remounted by Profiles Theatre at their Main Stage in Lakeview. Kern’s play is based on his experience as a Chicago cab driver.
Read MoreJules Massenet’s Werther (1892) is a dramatically exciting and intensely passion and totally romantic French opera. Massenet’s varied music moves form lightly friendly even tranquil melodies depicting nature and happy children to intensely emotional feelings of a young poet madly in love with a woman he can never have.
Read MoreThe program was billed as “Three B’s… With a Twist”; the “twist” was a partial change, with two of the so-called Three B’s of Classical Music, Bach and Brahms, replaced by Boccherini and Bartok, but the third, Beethoven, left intact. The quartet gave a remarkable performance in this first installment of its three-part series this season in the Logan Center, even if I, for one, was not entirely impressed by the “revision of the Three B’s.”
Read MoreO’ Neill’s family tragedy that features the Tyrone’s, a family in despair as they seem to be doomed and trapped in their dark past where fears, addictions and habits dominate the present. Long Day’s Journey Into Night is set in 1912 in the Tyrone summer home in New London, Connecticut. This most autobiographical play deals with the nature of family love where each person loves more than hates the other family members
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