MUST SEE

The dynamic of this drama lies in the bickering, sexual advances, mockery and stress each student endures as they struggle for grades, money, acceptance, and some sexual release. Much of this 1 hour and 55 minute play builds the emotional tension nicely as director Jonathan Berry swiftly paces the dramatic tension toward a wrenching conclusion

In The Drawer Boy, we meet two friends living and working a farm in 1972 rural Ontario. Angus (Will Kinnear) and his friend Morgan (Nick Polus) who run their farm through a harmonious daily ritual based on Morgan being the farmer and Angus being the cook, housekeeper and account. Tolerance, trust and routine rule their lives. They seem content until a young man-an actor- arrives at the farm asking to learn about farming by living and working with Morgan and Angus.

The early scenes that depict the determination and strength of each women are marvelously played out as each establishes their own rules for the relationship. Pearl will only sing unheard slave and work songs if Susannah works to find Pearl’s daughter. The two eventually unite to allow each to become “successful” on each’s terms.

Prolific playwright Brett Neveu, a company member of A Red Orchid, presents his sixth world premiere at the intimate Old Town Chicago theatre. Megacosm is an amazingly eerie and totally engrossing cliff-hanger 85 minute one-act comic mystery…Chris (Larry Grimm) is a nerdy shaggy-haired inventor anxious to make a presentation to Britt (Danny McCarthy) the head of a multinational corporation. The atmosphere around the company’s headquarters is ripe with violent protestors.

Mr. Rickey Calls A Meeting is a fine historical fictional drama based on real characters put into a “what if” scenario. The show is humorous, thought provoking and truthful as it attempts to ask underlying questions as to the ramifications of a single ensuing historical event. The performances are strong and winning. The play highlights the multilevel consequences of Jackie Robinson and Branch Rickey’s bold move

Blizzard ’67 is much more that a snow storm comedy, more that a quirky satire of ’60’s corporate types. It is a honest look at how four men deal with unforeseen chaotic events. Their personalities, warts and all, dictate their actions. Besides being a engaging theatre piece, Blizzard ’67 is a poignant study into the nature of human reactions – guilt and self-preservation dominant. This is Steinhagen’s finest work to date. Don’t miss this quirky gem. It is worth battling a snow storm to see.