MUST SEE

These are Chicago Critics Must See shows. If you are only going to see one show let us recommend one of these great pieces of true Art!

MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

The Secret Garden

It is wonderful that the management at Light Opera Works keeps producing authentic productions of classic operettas and Broadway musicals using the full orchestrations from the originals with a full 28 piece orchestra. The lush score filled with haunting operetta style ballads and English folk melodies, The Secret Garden is a beautiful heart-warming musical filled with charm and wholesomeness.

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

A Christmas Story – The Musical

Led by the steady work from Gene Weygandt as Shepherd and by golden-voiced youngster Clarke Hallum as Ralphie, A Christmas Story The Musical is a most winning full-blown Broadway musical true to its source material and marvelously acted, sung, and danced by a 30 person cast consisting of a mixture of Chicago Equity talents and a polished troupe of kid talents. Adam Petly, George Andrew Wolff and Karen Mason are a few of the Chicago players featured in this family friendly new show.

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The Magic Flute

For those of us either unfamiliar or who hold only cursory knowledge of the opera, it’s sort of Mozart’s musical comedy. Overall it’s quite light and the morality of it is somewhat ham-handed, if classic: typical Sun vs. Moon, Light vs. Dark, Wisdom vs. Ignorance sort of stuff. Maybe (though not necessarily) some references to Free Masonry in there.

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I Love a Piano

Irving Berlin… And what about “God Bless America?” “Blue Skies?” ” A Pretty Girl is like a Melody?” “Puttin’ on the Ritz?” “Oh, How I Hate to Get Up in the Morning?” “Easter Parade?” and the scores of his Broadway and Hollywood hits? If this list continued to include all his songs, it would be over 900 titles long – and include 19 musicals and 18 movies!

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Robert Joffrey’s The Nutcracker

Clara returns to the living room after the party around midnight and is confronted with the mice. She is saved by her Godfather Drosselmeyer who takes her into the Land of Snow. This is the fabulous place where movement is supreme, where ballet takes us into a fantasy land that captivates us with the soaring music and breathtaking dance. In the Land of Sweets, the Sugar Plum Fairy fascinates us in spectacle and movement.

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Elizabeth Rex

When the queen arrives, Ned is her outspoken opponent since his eminent death from the pox allows him the freedom to say whatever comes to his mind. The debate rages on as the two engage in verbal debate. Elizabeth hides her female side as a mechanism for sovereign survival – ruling as a man works for her. Ned has played woman all his life in Shakespeare’s plays and as a gay man feels more comfortable as a woman.

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