REVIEWS

MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Hello, Dolly!

Hello Dolly! contains a funny, romantic and innocent book by Michael Stewart adapted from Thornton Wilder’s The Matchmaker. Director Rachel Rockwell plays it for all the laughs contained. David Lively deftly plays Horace as as the grouchy store keeper with his spot-on comic timing and grim malice. We see Horace as a cranky, unloved miser and ½ millionaire who runs a feed store in Yonkers, New York. Dolly Levi is determined to marry Horace but she must help some loved starved folks while she eliminated her competition for Horace’s hand. The result is a bewitchingly cute tuneful romantic musical comedy.

Read More
MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Trevor

Jones uses the technique of having Grimm speak as the chimpanzee that only us audience members can understand-and- Trevor, the chimpanzee can’t understand the humans, But, of course, we can understand both. This ingredient garners much humor as we hear Trevor verbalize his thoughts, dreams and desires. We also see his loving mother figure, Sandra (Mierka Girten) as she struggles to maintain Trevor as her housemate rather than a caged animal.

Read More
REVIEWSREVIEWS BYTheatre ReviewsTom Williams

Lord of the Flies

During the 90 minute production, we witness how some boys can go wild and play to their most base instincts. We see how a contemporary flash mob or football game rivalries can elicit the group savage instincts in youths like these English boys did. That potential wildness impulse is explored vividly that hopefully the youths who see this timely production will begin to understand. They learn that such violence is not just a game as these English boys proclaim upon being rescued.

Read More
REVIEWSREVIEWS BYTheatre ReviewsTom Williams

Compulsion

Both playwright Rinne Groff and Meyer Levin each shared a strong connection to Anne Frank’s story. Groff took Levin’s passion for getting the Frank diary published in the USA and his determination to write the definitive stage adaptation of The Diary of Anne Frank. The long battles inspired Groff to write Compulsion. Meyer Levin (1905-1981) was the model for Sid Silver (Mick Webber).

Read More
Beverly FriendMUST SEEREVIEWSREVIEWS BYTheatre Reviews

The Table

What a unique and charming expedience to enjoy this one-man — no really one-puppet — show, purportedly covering the last 12 hours in the life of Moses (in real time). The task is no more outrageous than the clever cavorting of the crotchety puppet narrator who — although he has been told he looks Jewish — assures us that he is not made of kosher cardboard. One puppet plus one bare table creates an entire dramatic world.

Read More
MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Master Class

But, Master Class is essentially Maria Callas’ biography as well as her thoughts about the essence of performing art. Kelli Harrington commands the stage as the fickle diva whose mere presence strikes terror into her students. She delivers Callas biting sarcasm, her vivid facial expressions as well as her glowing love of the beauty in bell canto singing when her students do it correctly – with feeling and respect for the music. Harrington’s performance justifies seeing Master Class- she , indeed, gives her own ‘master class’ on acting.

Read More