REVIEWS

MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

The Color Purple – The Musical about Love

The Color Purple – The Musical is a smart adaptation of Alice Walker’s novel and Stephen Spielberg’s film. The musical found a seamless way to bridge the 40 year span cover here (1909-1949). Filled with powerful voices and musical styles ranging from work songs, blues, gospel, R & B to honky tonk, jazz, be-bop and swing, The Color Purple – The Musical is a toe-tapping sophisticated gem. Eugene Dizon’s reductions worked to give the score a rich flavor despite only eight musicians in the pit.

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This Is War

Despite the fact that this is ostensibly a ‘war drama,’ Moscovitch’s main preoccupation in This Is War is sexuality, and there’s a tenuous connection to be made here between the violence of war and the violence of sex, each of which is capable of ripping people limb from limb. In addition to the central love triangle, Moskovitch also drops a somewhat peripheral gay subtext into the relationship between Hughes and the company medic Chris Anders (Dylan Stuckey), who is himself openly homosexual. But like I said, the connection here between war and sex is tenuous, with one sphere of action failing to comment on or fully reinforce the other. Hence, This Is War ultimately reads more like a salacious melodrama that is only incidentally set at the frontline of battle.

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Alice

And the audience, following two flag-laden guides, is led along for the adventure. Not that we’re complaining. Even on the leisurely strolls taken between scenes, there’s plenty to absorb here: sentimental rows of late-blooming summer flowers, families of ducks swimming along the shoreline, passersby on their bikes, and the impressive skyline off North Lakeview Avenue. Yet Alice—far from treating its environment as a series of distracting hurdles—incorporates every diverse Chicago happening into its folds, reaching every corner of Lincoln Park to create a theatrical tapestry as rich and textured as the city itself.

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

The Lockout – A Musical

The musical plays out as a series of sketches with over-blown incomprehensible production numbers sung badly in that irritating Broadway pop-rock style to a collection of the worse choreography danced by a cast that can neither sing, act or dance. The labor dispute at the heart of the piece is trivialized to the point that both the players and the owners come off as idiots being traumatized by a directorial commissioner.

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Next to Normal at Drury Lane Oakbrook Theatre

“Next to Normal” is not a feel good musical, but a truly believable drama that can ignite your emotions and enlighten your understanding of some of extreme life problems people have or could face in their futures. The author wrote a very heart-wrenching story that demands exceptional singers with remarkable acting ability. For a very memorable night of theater, let your mind and heart embrace “Next to Normal”, a brilliant and exceptionally rare theater experience indeed!

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Beverly FriendREVIEWSREVIEWS BYTheatre Reviews

9 to 5 the Musical

The musical version is funny, but not consistently funny enough. The plot appears fragmented, uneven and sometimes clunky, painted with strokes so broad that they obscure the cleverness of the original. Unfortunately, the exaggerated, two-dimensional characters fail to come to life — or seem worth caring about. A shining exception is the villain, heartless Franklin Hart, Jr. played with great verve by James Moye as a callous, lecherous boss.

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The Dumb Waiter

For when it comes to fully realizing the ominous violence lingering always at the margins of this play, one could certainly do worse than with Proud Kate Theatre Project’s current production, now on view at The Alley Stage. Under the direction of Charlie Marie McGrath, actors David Winkler and Shane Michael Murphy deliver two intimately compelling performances, moving together with the rhythmic pull of a yo-yo between the easygoing and the emotionally fraught.

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

Annie Bosh is Missing

It isn’t clear what Annie is looking for. Act one sets up an interesting agenda but unfortunately the play fizzles in act two. Anne Bosh is Missing wonders adrift and ends up with a series of melodramatic resolutions. While it is fine not to tie up all lose ends in a play. a playwright must not leave major items unresolved or resolved in a preposterous or cliched manner.

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