REVIEWS

MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Beaten

What makes Beaten so compelling are the terrific performances by the cast. Conor McCahill, once he slows down and stops mumbling in several of his monologues, is most empathetic. Kristin Collins and Kathryn Ascota were excellent in the troubled mother-daughter dynamic. Kathy Scambiatterra is a hoot as the tough, foul-mouthed pot-smoking grandmother. We empathize with the characters and we see the flaws within each as we try to decide what and who is best for Chloe. You’ll be surprised at how it all plays out. Beaten is a worthy play.

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

The Jungle Book – The Musical

The Jungle Book is a major new work that contains am amazing range of artistry. From the innovative musical arrangements by Doug Peck wherein he using jazz and Indian musicians with trumpets, clarinets, trombones, saxophones with Sitar, veena, carnatic violin and tablas to create a unique music; to the outstanding costumes by Mara Blumenfeld; to the sharp lighting by T.J. Gerckens to the imaginative staging by director Mary Zimmerman, we experience a delightful story filled with jubilant sangs and dances and populated by spirited characters led by the outstanding performance by young Akash Chopra. The Jungle Book is stylized, refreshing new musical that is amazingly polished and near finished and ready for Broadway. I’m begging that Chicago will export another hit show to NYC with The Jungle Book. This family friendly show will please all with its honesty and its polished stage craft.

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Death and Harry Houdini – 2013 Remount

The magic tricks — dazzling as they may be (palming cards, disappearing/reappearing objects, walking on glass, and the like) — are balanced by this exploration of a man who wanted to defy death and who — if not immortal, was at the very least invincible in his craft. It is a life story retold through the magician’s most famous tricks and escapes. Allen’s skillfully paced story of Houdini’s struggles gathers intensity until it ultimately touches the heart as well as the imagination.

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MUST SEEREVIEWSREVIEWS BYTheatre Reviews

Tartuffe

Set in Chicago’s highly affluent Hyde Park/Kenwood neighborhood, there is something terrifyingly relevant about the evangelist Tartuffe’s efforts to dispossess Orgon of his property, ensnare his daughter in abject bondage, and ultimately cuckold Orgon before finally sending him off to be incarcerated for crimes against the state. The racial undertones of Newell’s production, featuring a black man threatened with prison, leaving his wife and two children to fend for themselves, is a narrative sadly all too familiar to modern American audiences.

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

Big Lake Big City

We meet two old-time Chicago detectives, Getz (Danny Goldring) and his wound-too-tight partner Bass Podaris (Phillip R. Smith) both use extreme methods to solve cases. Bass has troubles: his partner is a knucklehead, his boss is a hard-nose and his cases are being overturned and his bimbo wife is cheating on him, To make things worse, he’s chasing a prep who has a screwdriver stuck in his head! His world also has an assortment of shady folks: cruupt corners, a TV-personality doctor, and, of course, a femme fatale.

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MUST SEEOperaREVIEWSREVIEWS BYTom Williams

The Land of Smiles

Chicago Folks Operetts’s new English translation (from German) of The Land of Smiles marks the first production of Smiles in Chicago in 25 years. This is a landmark production; an exquisite artistic achievement; and a beautifully sounded and sung operetta. Each artistic element contributes to a wonderful, lavish and lovable theatrical experience. From the 20 piece orchestra conducted by Kim Diehnelt to the wonderful set designed by Ian Zywica to the fabulous video projections by Liviu Pasare with terrific rear-screen images and personal silhouettes to the vivid and unique costume designs by Kate Kamphausen- all thses elements contributed to make The Land of Smiles an artistic splendor seldom seen on a Chicago stage!

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

The Half-Brothers Mendelssohn

The Strange Tree Group usually does works by Emily Schwartz but the have expanded by mounting a new work by ensemble member Elizabeth Bagby – The Half-Brothers Mendelssohn. Featuring a clever set (designed by Kate Nawrocki & Emily Schwatz) with a terrific “time machine” designed by Emily Schwartz,etc, The Half-Brothers Mendelssohn is a quirky, funny , and clever take on time travel and it’s complications.

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