So, I guess I’m telling you that most theatre patrons will like, even admire The Book of Mormon, therefore, don’t be left out. It is a show that must be seen to either enjoy it or to conclude that it is the most disappointing, over hyped show in years. So see it and judge for yourself. I’m glad I saw the show. No serious theatre patron can avoid experiencing such a popular show.
The look, the movement, and the personality of Joey (and others) marvelously came to life. Since theatre is about the audience’s use of imagination, these puppets easily came to life on stage. We love Joey and we cheer for him throughout.
“The Twelve Days of Christmas” is a rhythmic tap rendition of the first order. “The Nutcraker” is deliciously performed by the ballet-infused dancers while the New York at Christmas features the Rockettes in a double-decker bus in front of that large video pictorial of Manhattan.
Director and narrator/player Hans Fleischmann (Tom) is a homeless hobo living in an alley (glass infested set designed by Grant Sabin). He is dressed in dirty ragged clothes and he sports a full beard – he is reliving memories from his life with his mother and sister in 1937 St.Louis. This is an intriguing concept that I’ve never seen before in any production of Williams’ greatest play – The Glass Menagerie. This concept speaks much about what happened to Tom after he left St. Louis for adventure.
Playwright David Ives sure knows how to take the 17th Century classic French farce, The Misanthrope, and bring it up to date from 1666 to modern times by using a mixture of rhyming couplets. Ives blends Moliere’s wordy comedy of manners style with contemporary colloquialisms with casual vulgarity and scatological humor that could offend some. Yet, the zaniness of the classic characters together with the witty couplets played for extreme comic effect, makes for a belly laughing theatrical feast.
Continuing its perennial holiday tradition, American Blues Theater brings a classic to wondrous life that transports you to a simpler time for a retelling of one of our most beloved inspirational tales.
We observe Anna (powerful subtle performance by Kate Fry) move from frighten to submissive to attacker as she deftly reverses the roles of hunted and hunter. Seeing who will claim the upper hand: those who want to suppress the truth or those who’ll risk everything to liberate it is at the core of this two-hander.
The Other Cinderella is a family-friendly musical with loads of humor as well as toe-tapping original tunes and strong anthems. I can see why this show has become the most successful show in the history of the Black Ensemble
Combining a fast-paced vaudevillian style with story telling elements that turns the cast into expository narrators made the audience not empathize with most of the Fail family. This play is on-third story theatre, one-third acted drama, and one-third gimmicks.
After the original lead Sean Palmer got injured, Tony Yazbeck stepped in to play Don Lockwood (the Gene Kelly role). Together with an all-star cast of local Chicago talents, director Bill Jenkins’ Singin’ In the Rain unfolds as a dazzling production. True to the film, the Drury Lane Production is glitzy, glorious, and glamorous featuring one of the most memorable scores …