Theatre Reviews Archives - Page 17 of 232

The Bottle Tree

In Beth Kander’s world premiere drama, The Bottle Tree, the focus is on the rural Southern (Mississippi) gun culture. We meet Myrna Mason (Kathleen Ruhl) who is the matriarch of the poor-white-trash Mississippi Mason clan. Myrna is an old maid aunt to Rhoda (Christina Gorman) and her surviving daughter Alley (Katherine Acosta). Myrna is obsessed with the ghosts of her family. She believes in the hoodoo folk magic rural tradition. She has a Bottle Tree in her yard to help trap bad ghosts so that they will not influence her family.

REVIEWS Theatre Reviews Tom Williams

Tom Williams

Multitudes

British playwright John Hollingsworth has penned a cautionary tale that exposes the conservative view of multiculturalism that believes that brown people, especially followers of Islam, can never really be “British” even if they are born in the UK or have been there since childhood. The fear Englishman express from those of color and those who embrace Islam have started raising their ugly heads in Bradford, England.

MUST SEE REVIEWS Theatre Reviews Tom Williams

Tom Williams

Hamilton

Hamilton lives up to the hype as it is engaging, high-energy and an emotionally thrilling theatrical experience. It is an opera, a rap show, and an accurate history lesson that presents as dazzling entertainment. In this breakthroughs work, Lin-Manuel Miranda has moved the Broadway musical (opera) into new areas. It is terrific storytelling that bravely takes pop culture into the world of opera and Broadway musicals. The good news is that he has brought a new audience to musicals as young folks love this show.

ARTICLES Theatre Reviews

Tom Williams

48th Annual Equity Jeff Awards

The classic revenge tale “The Tempest”, reimagined at Chicago Shakespeare Theater as a traveling tent show of trickery and amazement, was recognized for Production-Play for a large theatre, Direction of a Play for Aaron Posner and Teller, Magic Design for “The Great Tomsoni” Johnny Thompson, and Lighting Design for Thom Weaver.

Porchlight Music Theatre’s “Dreamgirls”, the story of the aspirations and success of rhythm and blues artists in the 1960s and 70s, was honored with awards for Production-Musical for a midsize theatre, Principal Actress Donica Lynn, Supporting Actor Eric Lewis and Costume Designer Bill Morey.

REVIEWS Theatre Reviews

Tom Williams

Romeo & Juliet – The Joffrey Ballet

Pastor’s timely interpretation is timely indeed — if one sets one’s time by 20th century Italian history. Set over three periods of Italian political and social unrest, Pastor’s Prokofiev’s Shakespeare’s Romeo & Juliet becomes the 1930’s Capulet militaristic Fascists versus the Montague liberal low and middle classes; then, in the second act, the 1950’s Capulet Red Brigade political terrorists versus the Montague peace-loving liberal low and middle classes (?); and then, finally in the third act, the 1990s . . . we’re more or less back to plain-ol’ Romeo and Juliet — but in Berlusconi-led Italy of “increasing social divisions!” And for those of us who cannot imagine what these periods of Italian history must have looked like — any more than what Shakespeare’s time did look like — there are projections of Italian pedestrians milling about their ravaged country — which projections are not at all as helpful in focusing the story as they might sound.

MUST SEE REVIEWS Sally Jo Osborne Theatre Reviews

Tom Williams

“Young Frankenstein”

The set is inventive and effective, the wigs are a plenty and the tap shoes are tapping with this large cast of Transylvanian characters. What a magnificent effort by all to take on this show and just in time for Halloween.

The townspeople of Transylvania are attending the funeral of Dr. Frankenstein—relief at last. Lead by Officer Kemp (Tony Calzaretta) let the celebration begin.

Back in NYC, a young doctor receives a telegram; “It’s Frohnk-en-steen not Frankenstein,” he says when informed about his grandfather’s passing. Young Frederick (Nick Miller), must head to Transylvania to settle the estate and leave his finicky, yet fantastic fiancé Elizabeth (Christie Burgess-Martino) behind–which may not be such a bad thing anyway

REVIEWS Theatre Reviews Tom Williams

Tom Williams

Pirandello’s Henry IV

One of the main reasons to see Pirandello’s Henry IV is to enjoy the fantastic work by Mark L. Montgomery as the possibly mad Italian nobleman. Montgomery is one of the most skilled actors working on Chicago stages. His ability to articulate and dominate the stage leaving much doubt if his character is cured from his insanity or still mad or possibly playing games with his enablers? With Pirandello there is always doubt as to where fantasy and reality end. Questions of identify, truth and psychology receive unique treatment by Pirandello

REVIEWS Theatre Reviews Tom Williams

Tom Williams

Apartment 3A

Apartment 3A features a female liberal PBS TV station on air fund raiser in a Midwest town, Annie (Eleni Pappageorge) who is having a bad time. She catches her lover having sex with another woman that makes her leave in rage. She quickly find an apartment in a questionable part of town – Apartment 3A. She takes the place and she immediately meets her neighbor in 2A, Donald (Daniel Smith), a well dressed man who immediately tells Annie not to fall in love with him since he is happily married. Annie has weird attraction to the quirky man who is a landscape painter who loves to cook eggs.

MUST SEE REVIEWS Theatre Reviews Tom Williams

Tom Williams

Red Velvet

It is the story of the first African-American actor to play Othello for two performances at the Theatre Royal in Covent Garden in London in 1833. When the famous Shakespearean actor Edmund Kean becomes ill, company manager Pierre LaPotre (Mtthew Klinger) brings on his friend and well qualified veteran actor Ira Aldridge 1807- 1867 (Brandon Greenhouse) to play Othello. This was a daring choice by LaPorte since a black man had never before played Othello on a major London theatre. 1833 was a riotous time in London with the abolition of slavery in England and various social and political reforms being enacted. Change at all levels was being challenged.

REVIEWS Theatre Reviews

Tom Williams

The Room

A Red Orchid Theatre’s production of Pinter’s The Room is, I’d say, recommended for an audience with a mature and sophisticated appreciation for theatre. Not that it’s pretentious or elitist, but, if one is not willing to follow its absurd and esoteric progression thoughtfully, one will likely be frustrated and confused by its conclusion (though perhaps still entertained by its menace and occasional comedy). For it is a sobering production that demands something of you, and you will only get something out of it to the degree to which you give in to it.