Theatre Reviews

MUST SEEREVIEWSTheatre ReviewsTom Williams

To Kill a Mockingbird

Carolyn Defrin deftly narrates with loads of help from fifth grader Caroline Heffernan who smartly plays the innocence of childhood as Scout Finch Lee’s alter-ego from her childhood. Seldom have I seen a fifth grader with the acting chops and ability to not only deliver her lines but to have spot on timing to convey humor and pathos. Caroline Heffernan is a dynamite talent.

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REVIEWSTheatre ReviewsTom Williams

Equus – Ludicrous Theatre Company

In this Equus, it surly is Alan’s play as Ian McCabe’s gusty, rivetingly chilling and brave performance as Alan totally dominates. McCabe has that “look” and the pent-up passion that moves Alan from a timid boy to a explosive sexual-religious fanatic who sees God in the horses he cares for. McCabe’s fully entrancing performance complete with three nude scenes emphasis the sexual tension that the boy feels toward the horses.

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MUST SEEREVIEWSTheatre Reviews

All Stars – Joffrey Ballet

While I would say my highlight of the evening was “After the Rain,” all three pieces are beautifully choreographed, danced, and lit. The musicianship of Chicago Sinfonietta was amazing and needs to be mentioned along with the dancers. The lighting plays such an important role in these pieces so Mark Stanley and Jennifer Tipton deserve a mention as well. To me this was a perfect marriage of dance, music, and design bringing forth a truly wonderful evening.

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REVIEWSTheatre ReviewsTom Williams

At Home At The Zoo

The first act of the now titled: At Home At the Zoo is a wordy, repetitive boring piece that depicts Peter’s family life as a sort of set up for the brilliant The Zoo Story. Maybe it was Albee’s ego or a bout with dementia because why diminish the play that established you as a playwright with an inferior work such as Homelife?

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REVIEWSTheatre Reviews

State of the Union

The story, a political satire set shortly after World War II, is a behind the scenes look at the “play ball” mentality in politics during the advent of our post-war golden age. We follow Grant Matthews (played by Michael Dailey), a successful airplane industrialist with a passion, and a concern, for America’s well being. A Republican by name, yes, but Grant is more of a centralized, bi-partisan, do-gooder that looks to destroy the obstacles both parties present to the growth of the country.

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REVIEWSTheatre ReviewsTom Williams

Scorched

The story move back in time as we see how Nawal left her rural village where women ever learned to read after having a child out of wedlock but out of love. Nawal teams up with another woman from her village, Swada (Fawzia Mirza) as they wonder throughout the country in search of Nawal’s now 4 year old boy. They witness the horrors of civil war and religious and ethnic cleansing. They become combatants.

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REVIEWSTheatre ReviewsTom Williams

Bash

Neil Labute’s Bash is composed of two monologues and a duet wherein four likable average people tell their stories that contain admissions of horrible evil acts. Utilizing the spacious Viaduct Theatre, we see an armchair and a smaller chair set opposite of each other both encased in a black circle facing one another.

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MUST SEEREVIEWSTheatre ReviewsTom Williams

Company

The 1970 groundbreaking Tony winning musical is a series of vignettes set around Bobby – a bachelor upon his 35th birthday as his five married or soon to be married couples try to woo him into marriage. The entire show happens in an instant as Bobby reminisces about marriage as he contemplates each couples martial status. Ultimately, he must decide if he is ready for marriage, ready for commitment. Will he attend his own surprise birthday party?

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