Clybourne Park
By Bruce Norris Directed by Clive Cholerton Caldwell Theatre Company At the Count de Hoernle Theatre Potentially brilliant work falls
Read MoreBy Bruce Norris Directed by Clive Cholerton Caldwell Theatre Company At the Count de Hoernle Theatre Potentially brilliant work falls
Read MoreThis vivid depiction of a flamboyant character is reinforced in all of Mame’s relationships, but nowhere more comically and effectively than in the scenes between Mame and arch rival/best friend Vera Charles (Loriann Freda). One of the best moments of the musical is when the two women – one clad in white, the other in slinky black, explain their love/hate relationship in the song “Bosom Buddies.” High praise to Marilyn Wick and Costume World Theatrical (www.costumeworld.com) for the all the glamorous outfits.
Read MoreThe performance provides a delightful return to the days of Lawrence Welk, and famous sister quartets like the McGuires, the Lennon Sisters and the Chordettes. And I would estimate that for the audience, at least 90 percent of the songs were recognizable. This is the third incarnation of this fictional quartet, written by playwright and musical arranger Rick Lewis.
Read MoreIn our age of telephones, cell phones, texting, and Skype, it is wonderfully nostalgic to return a world where letters are a works of art – witty, poignant, ever exploring and revealing the thoughts of their creators. And these letters are consistently interesting, not only revealing a bright, lively mind reacting to all that she is learning, but steeped in the gossip and concerns of a young girl coming of age. Dialogue nested in pleasant lyrics enhances the action.
Read MoreThe fight choreography is terrific. Kudos to fight director Rick Sordelet. Battles become even more vivid later in the play when Mercutio (Ariel Shafir) and Tybalt (Zach Appelman) — followed by Romeo (Jeff Lillico) and Tybalt — fight to the death. Here the combatants drop their swords and slug it out with their fists in an amazingly effective transition.
Read MoreThroughout, the emphasis is on stories and their power. We are all composed of stories, Dahna tells Adam. Stories tell who we are, define our behavior, and explain our lives. They also can confuse us – and this does happen in the play. The sheer number of tales, the time shifts and the rapidity of exposition is dazzling – providing a challenging intellectual maze. It would take more than one viewing to capture and unravel all the sidelights and nuances.
Read MoreEmmy, played with delicious verve by Zoe Levin, is a sex pistol. Wise – or seemingly wise beyond her years – hers is the voice of experience, determined to lead her friend astray. Rae Gray presents a Claire that is perfect as the shy, insecure, young friend, only too willing to follow. Both girls exemplify youth, beauty, inexperience, and a touching bravado.
Read MoreOnce upon a time – way back in 1936 –an organization (some say it might have been a church, but others give the dubious credit to the U.S. Army) created an anti-marijuana morality play called Tell the Children.
In the 70’s, cannabis smokers (and others) rediscovered the script, now renamed Reefer Madness and, finding it an excessive, hilarious (if unintentional) comedy gave it new life.
If someone could tell you in advance exactly what was going to happen in your life, and how everything was going to turn out, and if you knew you couldn’t do anything to change it, would you still want to go on with your life?
That’s the key question asked by Bee, the central character in Parallelogram, and it provides the theme of this remarkable, thought provoking play.
Read MoreThe basic plot of 39 Steps follows the 1935 Hitchcock film: bored London Bachelor Richard Hannay (Ted Deasy) meets stunning Annabella Schmidt (Claire Brownell) who is murdered before his eyes, but not before she has told him of her work as a counter espionage agent and given him tantalizing clues to halt the spies. Accused of her murder, he flees to Scotland to uncover the spy ring and thwart them.
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