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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Making Noise Quietly

These three short plays demonstrate Robert Holman’s immense talent as a writer as he weaves a subtle glimpse into the damage that war can make in unexpected ways on common folks. Holman’s clarity and depth of character is rich in compassion and truth. The Steep ensemble, led by Josh Salt, as Eric, Patricia Donegan, as May, and Lorraine Freund, a Helene, contained strong character studies. This is a moving glimpse into the consequences of war.

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Beverly FriendMUST SEEREVIEWSREVIEWS BYTheatre Reviews

Sunday in the Park with George

No one who has seen Stephen Sondheim’s Sunday in the Park with George will ever view the Art Institute’s famous Seurat painting in quite the same way. In fact, the painting itself becomes a character in the play — reflecting time and mood as lighting plays on it, shifting shadows. Pointillist painting and pointed play come to life simultaneously as each tree and figure in that famous park emerges on the huge theater backdrop.

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

Frankenstein

Frankenstein is part Gothic novel, part romantic novel, and now, is considered one of the first science fiction novels. The name “Frankenstein” has become associated with “creature,” “monster”, “fiend”, “wretch”, “vile insect”, “daemon”, “being”, and “it.” The novel influenced all horror stories to follow.

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

Metamorphoses

Zimmerman’s take on the Ovid poems necessitates being stage in water – here a square two foot deep pool as a universal symbol of transformation. Featuring many of the original cast and veterans of past productions, the 2012 production has a zest and polish seldom witnessed on stage. Metamorphoses is a vivid, often funny, and totally engaging and fluid theatrical piece of storytelling

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Sweet Bird of Youth at the Goodman Theatre

Sweet Bird of Youth features Williams’ lyrical language and deep sense of internal pain that often become a part of his characters. Loss of beauty and feelings of unworthiness are themes Williams like to explore. He also most effectively uses direct address toward the audience to hammer home comments. The three hour, two intermission drama flows nicely into a breezy evening of theatre.

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