REVIEWS BY

REVIEWSREVIEWS BYTheatre ReviewsTom Williams

Tusk Tusk

While the storyline is a tad concocted, the performances by the three teen actors was amazingly effective. They all sported fine British accents, including young Gabriel Stern. Reaching the highs and lows emotionally together with the physicality needed here would tax even a season actor yet Lunsky and Cygan (and little Stern) gave skilled and emotionally deep performances. The future is bright for these three.

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

Iphigenia 2.0

Iphigenia 2.0 is a interesting, effective and most engaging production that vividly uses the power of the live stage to get its ant-war message across. Staging it in contemporary times reminds us that we still have not learned the lessons of leadership and the motivations for going to war. As Achilles states: “What chance can an empire have if its actions are to be based on lies and imaginings?”

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MUST SEEREVIEWSTheatre ReviewsTom Williams

The Iron Stag King: Part One

The first part of Nathan Allen and Chris Mathews’ new trilogy, The Iron Stage King: Part One is a complex epic of crowns and country using elements of the King Arthur and Norse mythology with sprinkles of American fable themes. Utilizing all the House stylistic elements including puppets, miniature models, strong lighting, unique costumes with ample sprinklings of humor, this story has richly layered storytelling that explores the nature of leadership, governance with the unique American struggle to balance personal liberty with actions for the common good of society.

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