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Act Two presents a debate as to the problems raising a child in a two female home – especially when Nate/Margot and Leigh (with a commitment from Jacob) decide to “co-parent” between the two couples with visits from Jacob. Darcy uses those obvious problems to sabotage the desired pregnancy of Leigh with Jacob. But she is unaware of changed circumstances that further complicate things. The plot lines here are plausible and probable.

Clifford Odets’ 1935 revolutionary work first produced by the Group Theatre using “agit-prop” theatre techniques. The play was theatre as propaganda at its emotional zenith. This work utilizes actor plants in the audience to arouse responses and to break the ‘fourth walk.’ While a tad dated, Waiting For Lefty is still a classic warning to big corporations not to continue to oppress the American working class.

I wanted to know more about Tom and Marie but all I got was scene after scene that contained screaming, hollering, and shouting that made me wonder why playwright Farrell thought that the bickering among these folks had any relevance to 911. Why would such a play be part of any commemoration of that horrible incident?

After we meet three families, one American, one Mexican, and one Canadian, we begin to realize that each family has a connection to the tragic femicide occurring in contemporary Juarez, Mexico. Much of the entire first act involves the back story of the three families – each with a young girl. With all the clutter with the fantasy scenes and the weird movement, the emphasis of the real story has to wait for all the stage antics to be played out.