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The Madness of George III

The play opens with King George III, who only recently lost The Colonies, fighting Parliament to reassert his slightly flagging power. The Whigs are attempting to curtail the King’s powers, and implement their agenda, including the abolition of the West Indian slave trade. The Tories, led by George’s right-hand man, William Pitt the Younger, are looking for ways to bolster the King’s power.

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Jim Nutt: Coming into Character

There’s and old adage, “It’s all in the presentation.”, and the MCA could not have done a better job taking that to heart. Nutt’s figure paintings by themselves would end up growing somewhat tedious and repetitive, but with a strategic installation of Nutt’s earlier works, sketches, and a complimentary exhibit you’ll end up thanking the last MCA employee you see before walking out the door.

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

The Front Page

We see how the execution of a cop killer is but a backdrop to the larger story of rampant corruption, scandal, and hi-jinx that permeated Chicago in the Jazz Age. The show is filled with local historical references including the Red Scare and the dominance of gangsters in Chicago society. Chicago is depicted by these gritty reporters as a mean street city with politicians ever trying for political advantage in search of wealth, power and patronag

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

One Flea Spare

Wallace’s poetic language is nicely enunciated by this fine cast. Young Elizabeth Stenholt shows promise as an actor. Brian Parry and J. P. Pierson gave yeoman performances. Susan Monts Bologna’s subtle performance powerfully emerged as the strongest. There is humor, intensity and truth in One Flea Spare. For something different, see this show.

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

The Copperhead

Although Augustus Thomas may be unknown to contemporary theatre audiences, he was considered a “great” playwright in his time (1890’s – 1920’s). He used realism to tell regional American stories. The Copperhead made a stage star out of Lionel Barrymore and was Thomas’ most successful play….. Mark Pracht’s excellent performance as the low-key Milt Shanks leads a terrific ensemble in a rarely produced classic American drama.

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

The Mandrake

The Mandrake necessitates our attention but the payoff is there in laughs as we appreciate the complex and theatrical comic timing of each character – with a few ad-libs and asides through-in. The comic elements come fast and loose utilizing wordplay, gestures and physicality in an over-the-top production that exudes hyper-energy from the entire cast

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