What makes this musical extravaganza so entertaining is the bouncy, melodious score by Harry Warren that contains rhythmic tap music, a cute waltz, toe-tapping jazzy tunes that explode into exuberant dances. “Go Into Your Dance,” “Dames” – Ziefeld Follies-styled together with the spectacular tap number “We’re In The Money” highlight act one. Charm, humor and a most likable cast of characters make us care about these struggling performers.
Read MoreThis over-produced glitzy, over-amplified show features a blend of pop-rock, hip-hop, R & B, and rap tunes with a few rock ballads thrown-in. The sound mixed that had the percussion dominate made the guitars inaudible and it forced the singers to scream to be heard. The lyrics became unintelligible for the most part. The choreography consisted of sexy groping and Nazi-styled stiff-legged marches.
Read More…there is I Am Montana. In one of the most convoluted, unworkable and preposterous scripts this reviewer has encountered in years, I must report that I had to scratch my head in disbelief – how could any theatre company mount such rubbish? This slowly paced and poorly acted work stretches credulity.
Read Morewith director Jessica Redish’s smart remounting of Stephen Sondheim’s Merrily We Roll Along. Don’t let any memories of past productions of Merrily stop you from enjoying this superb production. The stage craft, the excellent performances, and the marvelous chorus blended together to create a most engaging and heartfelt musical.
Read MoreUtilizing Brian Sidney Bembridge’s large dollhouse set to depict a grand manor house surrounded by trees and loads of open space, El Nogalar live both in Cekhov’s world and Saracho’s world where class pressure and social turmoil threatens traditional families land and lifestyle in contemporary Mexico.
Read MoreWe see Anne Sheridan Smith move effectively from being Mae West – with her swagger, distinct voice and seductive walk and sexy talk to a cocky, brash and outspoken contemporary actress – Jo. Smith deftly changes persona. Smith sure has Mae West’s husky voice down pat and she presents West’s act aptly. Mae West surly lives in Anne Sheridan Smith’s convincing performance.
Read MoreIt just seems almost cheap, somehow wrong, to sum up last night’s performance with mere words. It seems insufficient to recount, in any way, what happened without having your hands wrapped around the neck of the person you’re explaining it to.
Read MoreWhat is perhaps most enticing about this show is the issues it deals with: death foremost amongst them, of course, but the questions of what is nature, what is natural, and what is human are also vital in the libretto. Miranda, when she is struggling with whether or not she should join those she loves in the System (a question that remains unanswered), says that she does not want to go, because it is death that defines us; a sentiment shared by Solon, when he told Croesus that he cannot tell if someone has lived a happy life or not until he knows how they died.
Read MoreThe Hot L Baltimore is a play about the haunting effects of time on a group of social misfits all of which are scared by the ghosts from their past. Their lost dreams led to their personal decay and ruin just as their refuge from the cruel world is about to be demolished since their home – The Hot L Baltimore – will soon lose to the wrecking ball. This is a slice of life drama about the bonds of community that binds a group of homeless survivors holding on and surviving without much of a safety net.
Read MoreWe see how wacky Hazel is as she mumbles her way through a running monologue about a hunter in a forest. When her housemate, Shelly (Briana DeGulio) – Hazel’s surrogate daughter comes home from a long day as a waitress in the small town dinner, they plan an evening of board games while
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