REVIEWS BY

REVIEWSTheatre ReviewsTom Williams

The Lady’s Not For Burning

This 2 and a half hour comedy is set in the Middle Ages and plays almost like a musical due to the exquisitely complex poetic verse-dialogue that “sings” from the lips of each player. The humor, the irony, the wit, and the angst each character exudes captures us and holds us throughout. Teresa Hamm’s period-perfect costumes enhance the look and atmosphere. The cast understands and respects the cleverness of Fry’s work. You’d be hard pressed to witness a finer ensemble easily navigating the difficult text.

Read More
REVIEWSREVIEWS BYTheatre ReviewsTom Williams

Wuthering Heights

Heathcliff (Gregory Isaac) and Cathy (Lindsay Leopold) believe themselves eternally bound as soul mates in love. But when they are brutally torn apart, Heathcliff leaves the area to re-make himself and commence his course of retribution to destroy all who have wronged him. Since his beloved Cathy has married Edgar Linton (Robert Kauzlaric) for stability, Heathcliff returns and the cyclic nature of revenge emerges. This story is filled with unknowable passions of the heart.

Read More
REVIEWS BYTheatre ReviewsTom Williams

Detroit

Detroit is a perplexing new play with absurdist tendencies peopled by extremely dysfunctional anxiety-ridden folks…The long-winder monologues grew tiresome by the third one. Also the early fits of extreme rage mounted by Laurie Metcalf’s Mary came out of nowhere. It seems that each of these wacky characters have a phobia concerning the unknown. All four are desperate to reveal their true selves to others.

Read More
REVIEWSTheatre ReviewsTom Williams

Dirty Rotten Scoundrels

Besides the swank sophisticated Latin-rhythmic dances, marvelously choreographed by Stacey Flaster, Scoundrels features exquisitely timed comic turns form Larry Wyatt, Michael Mahler, Larry Adams and especially Paula Scrofano, as the wacky and lonely American millionaire Muriel. Dara Cameron beautifully plays Christine Colgate who isn’t who she appears to be.

Read More
Beverly FriendREVIEWSTheatre Reviews

1001 – Collaboraction

Throughout, the emphasis is on stories and their power. We are all composed of stories, Dahna tells Adam. Stories tell who we are, define our behavior, and explain our lives. They also can confuse us – and this does happen in the play. The sheer number of tales, the time shifts and the rapidity of exposition is dazzling – providing a challenging intellectual maze. It would take more than one viewing to capture and unravel all the sidelights and nuances.

Read More
REVIEWSREVIEWS BYTheatre ReviewsTom Williams

Louis Slotin Sonata

At 3:20 PM on Tuesday, May 21, 1946 at the Los Alamos National Laboratory, Louis Slotin was doing a most dangerous demonstration using a plutonium bomb core when his hand slipped and large amounts of radiation instantly escaped infecting him fatally. The play vividly depicts Slotin’s last nine days of life as he struggles to understand why this happened and what is legacy will be.

Read More
REVIEWSREVIEWS BY

Juliet

Theatre Y brings the raw beauty of Eastern European style theatre to Chicago. The Award winning writing of Andras Visky, and outstanding work of Actress Melissa Hawkins and Director Karin Coonrod are a must see for entertainment and enlightenment.

Read More
REVIEWSTheatre ReviewsTom Williams

A Chorus Line – Marriott Theatre 2010

A Chorus Line is the greatest backstage musical ever – and one of the finest dance shows ever! The 1975 show won 9 Tony’s and a Pulitzer as it run for 6, 137 performance – a record at the time. It was Michael Bennett, Marvin Hamlisch and Edward Kleban’s masterwork. A Chorus Line is a simple yet telling work about a group of dancers, “gypsies” who are auditioning for a spot in the chorus of a new Broadway show.

Read More