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Music ReviewsMUST SEEPop/Rock/FolkREVIEWSTom Williams

Smokey Joe’s Cafe at Drury Lane Theatre

This fast-paced two hour revue is a non-stop songfest that has enough well performed classic rock, pop and R & B to please. . Director/choreographer Dodge has the cast doing movement and dance routines that work effectively on stage. The harmonies and the blended vocal arrangements together with the outstanding musical arrangements by Roberta Duchak sounded terrific. These nine performers demonstrate their talents and we get to hear the songbook of two relatively unheralded composers. Jerry Leiber and Mike Stoller’s tunes come alive in this fun revue. Smokey Joe’s Cafe ranks as one of the longest running reviews on Broadway (2,036 performances) and it has had a long run in the city by Theo Ubique a few years ago.

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REVIEWSTheatre ReviewsTom Williams

I DO TODAY

As I left the theatre, i asked myself who is the audience for this show? Jewish theatre patrons? Lovers of solo shows? I Do Today only contains one of the three elements that make solo shows work: a terrific performance by the actor (Carin Silkaitis was terrific and work hard to make the material work.) But, this show lacks the other two essential elements: no celebrity or historical figure and a strong comprehensive script.

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REVIEWSTheatre ReviewsTom Williams

Naperville

Naperville turns into a cable TV original play filled with playwright invented wacky characters who seem to p layout their problems through too much caffeine. Candice want to sail and cut her grass despite her blindness. Howard quits his job in Seattle as he feels he needs to move back to Naperville to help his mother. Howard discovers that Anne is an old high school classmate that he had a crush on; Anne realizes the Howard (fifty pounds lighter) was her class mate. Sparks could fly?

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REVIEWSTheatre ReviewsTom Williams

The Black Slot

While The Black Slot has a smart premise, problems stretch credulity as the plot unwinds. Further development of Tim and Beth’s relationship and the ending seems unfinished. But the satire of how regional theatres operate and their beliefs systems as to what and why their core audiences want to see on stage hit home for me.

This work sure has possibilities and with some re-writes, it sure could be terrific. As now presented, it sure has many smart moments. Justin Wade Wilson, as Tim and Amy Kasper, as Pam were particularly effective. The Black Slot is worth a look.

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MUST SEEREVIEWSTom Williams

Dutchman and TRANSit

These two companion one-acts are riveting, explosive and truthful as simmering racial (and gender) rage explode today as it did in the 1960’s. Both works will upset and get audiences aware of the cancer of racism and gender hatred that eats away at our society. Dramatizing can be the first step toward a solution – hopefully. See these two powerful one-acts.

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REVIEWSTheatre ReviewsTom Williams

Amour

This one hour and forty-five minute opera has loads of humor, whimsy with enough charm to be appealing. As an opera, Amour is sung through at a brisk pace offering a challenge to the cast of nine. With a range of vocal abilities moving from ordinary to vocally tepid, Amour vocally is uneven at best. But the committed cast works hard to land the difficult score. They are best in the comic numbers and action-plot numbers. Emily Goldberg, as Isabelle, demonstrated her vocal chops in several fine ballads. Scott Gryder was a comic hoot while Kevin Webb was a deliciously evil.

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REVIEWSREVIEWS BYTheatre Reviews

Thee Trinity

Moreover, the sheer number of ideas Mr. Roberts litters haphazardly throughout his play and the pedantically conclusive manner in which they are expounded (without rebuttal from likely contra-dictors, Jesus and the Holy Spirit) further impressed on me that Mr. Roberts’ obvious attempts at “controversy” were intellectually ungrounded and not seriously considered. Merely scattering scientific and philosophical claims like buckshot and mixing in some sexy jokes does not amount to a “controversial” satire — particularly when they all turn against a largely conservative perspective, the perennial scapegoat and underrepresented voice of (Chicago) theatre.

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MUST SEEREVIEWSTheatre ReviewsTom Williams

Bakersfield Mist

Maude is a working-class ‘every women’ played here by Janet Ulrich Brooks, one of the finest actress’s working in Chicago theatre today. She uses every female tactic from friendliness, to booze, to sex, to terror to assure that her elitist sophisticated art expert rates her painting a genuine Pollack. To Maude, her quest is about more than money.

92 year-old Mike Nussbaum magnificently delivers a complex performance as Lionel Percy, the New Yank art expert. He deftly explains the essence of art; how he uses “The Blink” to instantly discover if a an art work is authentic. These feelings together with years of examining thousands of art pieces makes his intuitive method of judging art to be accurate.

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Music ReviewsREVIEWSTom Williams

“Oh, Coward!” by Dead Writers Theatre Collective

Filled with the words and songs of Noel Coward (1899-1973), the English playwright, composer, director, actor and singer, known for his wit and flamboyance, Oh Coward! is a sharp 35 song-fest that is nicely performed by Michael Pecas, Joanna Riopelle and Ian Rigg with terrific arrangements by Gerald Bailey with fine piano work by Howard Pfeifer. The non-Equity cast delivered a slick, sophisticated, mostly well sung musical revue.

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MUST SEEREVIEWSTheatre ReviewsTom Williams

Rose

Linda Reiter grabs us and hold us throughout her 90 minute sole performance. My generation can still tell you where they were when John Kennedy was shot, so we still have a fascination with all things ‘Kennedy.’ Reiter channels Rose as she unflinchingly speaks of the triumphs and tragedies of the Kennedy clan. Along the way, we gain insights into Rose’s character, her subtle strength and her devotion to her family, especially her boys. We also become aware of the extreme influence of Joe Kennedy on the family.

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