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Music ReviewsPop/Rock/FolkREVIEWSTom Williams

Ring of Fire – The Music of Johnny Cash

The folks at the Theatre at the Center have mounted a major country/folk revue of the iconic voice of Johnny Cash (1932 – 2003)- one of America’s greatest troubadours in Ring of Fire. Cash was considered one of the most influential musicians of the 20th century whose songs included cowboy, folk, gospel, country, rockability, rock n’ roll and pop music. From 1955 to his death at age 71 in 2003, Cash with his wife June Carter Cash, toured the country singing his heartfelt repertoire of pure Americana tunes. His distinct bass-baritone voice was his calling card.

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Rusalka

…how Wagnerian this music is (for the late Dvořák of the “New World” Symphony and the “American” Quartet, at any rate). However, even if many passages and harmonic turns here could seemingly have come straight from Tristan und Isolde, this music is more sweet and less decadent than Wagner can often be, and there are frequent interludes of Czech folk dance and folk song.

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Red Light Winter

Farilane Theatre Co. put on an effective production of Adam Rapp’s Red Light Winter. A modern look at sex, obsession, and friendship comes to life. Beautifully written characters make this story sensitive and dark. Early in the show, automatically we veer our sympathy toward Matt (Chris Martin with a stellar performance). On the opposing end is Davis (Bob Pantalone in an aggressive, strong performance). As tempers arise, the story and production stays engaging from beginning to end.

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

Cock

John and M agree to have John bring W to their place for dinner so the three con settle this problem. As the battle for John erupts, M and W have many funny quips as the two ‘bitch battle.’ But when M brings his father F (Larry Neuman,Jr.) in as a reinforcement, the tug of war only increases John indecision. Can one love two people at once with one a man and the other a woman?

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Amadeus at Boho Theatre

Director Peter Marston Sullivan has created the proper passionate tone to highlight Peter Shaffer’s fictional account of Antonio Salieri’s relationship with Wolfgang Amadeus Mozart. The result is Amadeus, a rivetingly emotional gem.

Anchored by the in depth and glib work of Steve O’ Connell as Antonio Saleri and Chris Ballou as Wolfgang Amadeus Mozart, Amadeus brings us into the fascinating world of Mozart as he strives for fortune and fame in Vienna at the court of Hapsburg Austrian Emperor Joseph II (David Tibble) in the late 1780’s.

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

Buzzer

In its finest moments, Buzzer deals with interracial relationships, white fear of black men on street corners as well as interpersonal trust. We see the struggles of addiction and how that effects the trust of those close to the addict. We also get a glimpse into how gentrification causes class problems as the poor resent the wealth whites and how those folks fear the street folks.

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Russian Transport

Erika Sheffer, herself the child of Ukrainian Jewish immigrants, has developed two generations of characters each striving to both survive and get their share of the American Dream. She addresses the decision the family must make: How far are they willing to go to come out on top – to survive? Is money the ultimate measurement of success? Does family survival trump all ethics? Does the family needs justify doing evil acts toward others as long as it doesn’t hard the family? Does the scares from having nothing justify the amoral accumulation of wealth?

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