The satire gets quite thick as Marcus takes on the persona of an Asian cultural believer who becomes more ‘Asian’ that Hwang. This is were the plot gets too self-serving as it wonders into the story of Hwang’s banker father (played with gusto by Joesph Anthony Foronda). David Rhee is fine as Hwang as he traverses through Hwang’s ups and downs as he struggles to make the concept of Yellow Face relevant.
Read MoreBroadway Bound is billed as Eugene’s (Max Polski) story but I believe that it is more Ben’s (Mike Nussbaum) and Kate’s (Carmen Roman) story as it is a powerful family drama with loads of trademark Simon one-liners. Utilizing a magnificent two level house set (design by Collette Pollard), director David New has cast a superb group including the fabulous and ageless Mike Nussbaum as the Socialist grandfather Ben. Nussbaum steals his scenes with his exquisite comic timing.
Read MoreWe see the story weaving deftly in time as we see how she went from conservative Jewish religious patron in Poland to a vibrant woman through her contact with the agnostic Jewish traveling toy theatre promoter Ben Ari Adler. Jacqueline and Richard Penrod’s set aptly depicts Lilith’s home and it contains a moveable toy theatre set (by Tracy Otwell) where Adler gets Lilka (Nora Fiffer) to help him write a new version of the story of King Solomon and the Queen of Sheba. Through this encounter, sparks fly between Ben Ari and Lilka as the Nazi’s invade Poland.
Read MoreWe see Venus as a exploited soul duped by her handlers until she ends up in the hands of the French doctor Baron Docteur (Jeff Parker) -who falls in love with the Hottentot beauty. The Baron also wants to research and measure every unique physical attribute of Saartie. While playwright Parks fictionalizes Saartie’s life choosing to emphasize her intelligence, acumen for language, and her sexuality.
Read MoreWe see the five living in frustration as their alienation fuels their basic need for connection on several levels consumes them. The tedious first act so over states that concept that I quickly became as frustrated with the play as they were with their isolation. The irritating videos only added to the weirdness of this work.
Read MoreUtilizing Adam Lucas Venes’ back porch-backyard set aptly depicting an aging bungalow, we find John Patrick Moore (Boyd Harris), a third generation Chicago Police officer drinking beer with his cop partner Terry Donnelly (James D. Farruggio). Tension between the two revolves around loyalty, trust and honesty as a work incident strains their relationship.
Read MoreThe ensemble was the finest I’ve seen dancing Ann Reinking-Bob Fosse style numbers. “Roxie,” “Tap Dance” and the show stopper “Razzle Dazzle” were slick and flawless. I’ve not witness Fosse dances better performed. The ladies justify their crimes with the haunting “Cell Block Tango.”….John O’Hurley brings a fine voice and a commanding, self-aware presence to the shyster Billy Flynn.
Read MoreJEFF NON-EQUITY AWARDS PRESENTED FOR THE 2010 – 2011 SEASON Redtwist’s “Man from Nebraska” and The Hypocrites’ “Cabaret” Take Top
Read MoreCome to Cahn Auditorium to see a lush, lovely and lively Light Opera Works production of Brigadoon. You’ll see and hear the entire score without any cuts and you’ll witness expert dance numbers filled with grace and charm. This wonderful show is in good hands with Rudy Hogenmiller and the creatives at Light Opera Work
Read MoreThe work drones on with more and more depressing situations until strong feels of self-hatred dominates. Talk about a “downer” of a play – there is no one to relate toward – no one to cheer for – and there is no satisfactory resolution for these miserable souls. I felt like I was in theatre hell for two hours viewing this negative work.
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