Tom Williams

You’ll have to attend the show to see how each of the four resolve their moral dilemmas. Does truth and justice prevail or does cowardice and deceit rule here? Lonergan’s script is believable and his characters are forever changed. The Redtwist Theatre’s production is uniquely staged and it features nuanced and rich performances from Michael Pogue, Maura Kidwell and Eric Hoffman. I particularly liked Andrew Jessop’s smart comic timing in the debates with William. Jessop has disarmingly coy ability to charm and exude empathy from a character that serves him nicely in this show.

Adapter Giles Havergal used the four person concept in Glasgow’s Citizen’s Theater’s production of Travels. That device was smartly utilized by director Stuart Carden as he shrewdly cast Sean Fortunato to play Aunt Augusta – Henry’s 75 year old horny aunt while John Hoogenakker adds the teenage girl, Tooley and LaShawn Banks plays Wordsworth, Aunt Augusta’s lover and Jeremy Sher adds his foley art to his playing of the Girl in Jodhpurs.

The Malloy family’s annual Pancake Breakfast on the 4th of July in Bel Air, Maryland is the setting for a family drama that plays like an HBO series. Three generations of Malloy’s together with new relations gather for the annual celebration despite the underlying turmoil that pervades this dysfunctional family

Remy Bumppo think theatre has a wonderful holiday gift for theatre aficionados – The Importance of Being Earnest – one of the great plays ever written! Fulled with so many witticisms and social comments and stinging observations on humanity and society, Earnest is both hilarious and profound. Victorian manners and rules of courtship are spoofed in Wilde’s most popular play penned in 1896.

The Christmas Sander’s show simply doesn’t work as the larger stage and all the ‘testifying’ (preaching and religious storytelling) slowed the show to a crawl. The dated references to the war and the down-home rural traits wore thin over 2 hours. The music also played poorly as many of the songs were difficult to hear as guitars and the piano drowned out some solos.

This isn’t the ballet with Tchaikovsky’s music, rather a winning fantastical deconstruction of the classic Christmas ballet. There is plenty of original pop music and wonderful underscoring music from Kevin O’Donnell and his five piece orchestra. The show is a new adaptation that does contain movement but it is not a ballet, rather a dark story where dolls and puppets come to life to slay the rat king with several smart songs. Jake Minton & Phillip C. Klapperich have created an engrossing re-thought holiday story rich in fun and mystery.

Playwright McManus effectively uses flashback to tell of the brothers bleak background. We see how Fish got his name and how he channeled his rage via fist fighting. Duffy, in awe of his older brothers physical skills, searches for a more tame existence but his fierce loyalty toward Fish demands that he help his spontaneous combustive brother cope with life.