Tom Williams

REVIEWSREVIEWS BYTheatre ReviewsTom Williams

A Nativity Story: More Than a Miracle

A Nativity Story: More Than a Miracle is a Black Ensemble style show that contains enough intense emotions, frantic music and dance including terrific ballet sequences by Kathleen Turner and Anthony Williams making the stage elements interesting. Congo Square Theatre reminds us that African-American concept of The Nativity is unique, emotional, and honestly depicted through gospel music and movement.

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Cinderella -The National Tour

Cinderella is, by far, the finest National Touring Equity musical to grace a Chicago stage in years! It is a wonderful, beautifully staged and a gorgeously presented musical. It has all the elements of a fabulous family experience: a marvelous, lush score by Richard Rodgers with the smart lyrics by Oscar Hammerstein II. It has eye-popping sets and costumes (set design by Anna Louizos, costumes by William Ivey Long). It has a new book by Douglas Carter Beane that updates and adds heart to Hammerstein’s fable.

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

The Santaland Diaries 2014

For years The Santaland Diaries has been a staple of holidays shows. it is how Mitchell Fain both commands the stage and how he personalizes the story without making drastic changes to David Sedaris’ script. One only has to witness Fain’s opening to see a master comic and a terrific actor doing his craft. Fain’s skill at engaging and audience with his crude but very human honesty. There may be others who can play “Crumpet, the elf” but no one humanizes the cynical character as does the sharp-tongued Mitchell Fain. He is a major comic talent at the top of his craft.

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Music ReviewsMUST SEEOperaREVIEWSREVIEWS BYTom Williams

Anna Bolena

Not produced at the Lyric Opera since 1985 when Joan Sutherland soared in Anna Bolena, this new production reaches the heights of the bel canto style (beautiful singing) with matching register and tonal quality of the voice to the emotional content of the words. Led by the powerful and stylistic soprano Sondra Radvanovsky as Ann and the smooth mezzo-soprano from Jamie Barton as Anna’s rival for the affections of King Henry, this melodic production of Donizetti’s Tudor-inspired 1830 opera is a major triumph for the Lyric!

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

Panic On Cloud 9 –

From the opening skit with the cast of misfits riding on a Greyhound bus to the barber shop routine to the Russian girl blachelorette party to the little girl slumber party, this revue has each of the six comics grinding out laughs at a manic pace. The physical gestures and timing of these talented performers makes a night out at Second City a fun event. Written and performed by the cast allows each to contribute and set up their special contribution to the seamless evening of comedy.

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Mary Poppins at Paramount Theatre

Mary Poppins has all the elements of a GREAT musical: excellent book based on P.L Travers’ children’s Mary Poppins books. Terrific catchy tunes—“Chim Chim Cher-ee,” “A Spoonful of Sugar,” “Feed the Birds,” “Supercalifragilisticexpialidocious” and “Anything Can Happen” with music in the style of early 20th Century British music halls, melodic marches and anthems; fantastic staging with vivid lighting on terrific sets; spectacular show-stopping dances and thrilling flying scenes that include Matt Crowle (as Bert) tap dancing and spinning around in the showstopping “Step In Time”.

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