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Gypsy at Drury Lane Theatre

Book by Arthur LaurentsGypsy 2012 at Drury Lane Theatre

Music by Jule Styne

Lyrics by Stephen Sondheim

Directed by William Osetek

Music Direction by Robert Duchak

& Ben Johnson

Choreographed by Tammy Mader

At Drury Lane Theatre, Oakbrook

Traditional remount of the classic backstage musical worth seeing

Gypsy is my # 4 All-Time favorite musical and I have seen many terrific productions of this backstage classic.  Drury Lane Theatre’s standard production is worthy despite sub pare sets and a sound mix that was too loud. But the score by Julie Stein and the lyrics by Stephen Sondheim together with Arthur Laurents’ book blend together to entertain us.

Gypsy 2012 at Drury Lane Theatre

Tammy Mader’s classic choreography, danced  well using the vaudeville number and tap combinations with has some funny bits in the “Mr. Goldstone, I Love You” number.  Matthew Crowle, as Tulsa, glides through the “All I Need Is The Girl” number nicely. The boys, Crowle (Tulsa), Jonathan Kwock (Yonkers) and Alex McCrary (L.A.) dance their hearts out.

Gypsy 2012 at Drury Lane Theatre

Andrea Prestinario, as Lousie, makes the transition from a ‘no-talent’ vaudevillian to the slick stripper Gypsy Rose Lee adequately. Andrea Collier as Dainty June was excellent. Both her and Prestinario danced and sang their duet, “If Momma Was Married” in fine harmony. David Kortemeier’s Herbie was a serviceable complement to the charismatic Mama Rose. The show stopper, “You Gotta Have a Gimmick” was a hoot with sexy Cheryl Avery as Mezeppa (with horn), Susan Lubeck’s Tessie (with finesse) and the hilariously underplayed Electra (with lighting) from Frances Asher each showing their stripping skills.

Featuring a brassy toe-tapping vaudevillian score from Jule Styne and clever lyrics for a young Stephen Sondheim, Gypsy is the quintessential backstage Broadway musical that audiences adore.

The ambitious, driven ultimate stage mother, Mama Rose is one of the great characters in all of American Broadway musicals. Any production of Gypsy depends on who plays Mama Rose. New Yorker Klea Blackhur’s booming voice channeled Ethel Merman takes over as the determined stage mother. Her voice grated on me after a time but Blackhurst’s best moments were when she sang. She commands her scenes especially when she blurts out “Sing Out, Louise” as storms onto the stage. We know instantly that Rose is in charge here. Mama Rose has that blend of toughness without being nasty; that staunch determination to make her daughter a star. Blackhurst has fine comedic timing that together with her body language and vocal tones gives Mama Rose substance as she earns our empathy.

Gypsy 2012 at Drury Lane Theatre

Blackhurst’s leather voice allowed her to lands the “Some People” with fanatical determination; smoothly charms Herby in “Small World,” and motivates Louise in the stirring anthem “Everything’s Coming Up Roses.”  Her  rendition of the fantastic “Rose’s Turn,” where Rose lets loose all the emotions from a lifetime of dreams was effectively performed.

Gypsy is a classic back stage story of vaudeville and of a mother’s living her life through her children. It is also about the rise of Gypsy Rose Lee, the famed stripper. Drury Lane Theatre’s production is certainly worth seeing since Klea Blackhurst’s dreams get us ‘entertained.’


Tom Williams

Talk Theatre in Chicago podcast

Date Reviewed: January 26, 2012

Jeff  Recommended

For more info checkout the Gypsy page on

At Drury Lane Theatre, Oakbrook Terrace, IL, call 630-530-0111,, tickets $35 -$46, Wednesdays at 1:30 pm, Thursdays 1;30 & 8 pm, Fridays at 8:30 pm, Saturdays at 5 & 8:30 pm, Sundays at 2 & 6 pm, running time is 2 hours, 25 minutes with intermission, through April 1, 2012

One thought on “Gypsy at Drury Lane Theatre

  • jamie

    I have to disagree whole heartedly. I believe this was probably the worst musical I have ever scene. The acting at times was like a high school musical. I thought Rose had no depth of character what so ever as she continously barked out her lines. My wife fell a sleep for the entire second act. A real disappointment from such a fine theatre.

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