Latest from Chicago Critic

Although we idolize artists and their affect on us can be profound, their struggles are intrinsically human. An artist’s journey is no more profound than what the average person deals with day to day. The only difference between an artist and anyone else is that an artist chooses to express their thoughts and emotions through a medium designed for consumption. What to Listen For does a great job of describing the ineffable qualities of relationships and music; however some of the actors’ performances make the production fall just short of coherent. I recommend seeing this show if you’re looking for something new, but if you prefer seeing something more traditional and polished I would proceed with caution.

But, I must say that the production worked nicely given is was a musical filled with teenage hyperactivity. Fans of the movie and fans of Broadway pop will find much to like here.

Everything this production has to offer can be derived by reading Saltzman’s bio and by listening to his recordings. On top of his meek performance, the production was peppered with video projections, which only seemed to function as a means for cheap laughs and a multi-media edge. The production wouldn’t have been nearly as disappointing if it hadn’t been based on an aggressive promise to present new music and profound ideas

Lifeboat is a tragic story with an uplifting resolve. The production’s playful nature and captivating characters make it best suited for a younger audience (8-12). With its ability to entertain, the play serves as an opportunity to introduce children to some WWII history. I recommend taking your children to see this show, at your discretion. Be sure to give them some context before viewing and be prepared to answer questions afterward. I do not recommend the play to someone seeking a deep and more involved WWII drama.

After all, it is titled One Hit Wonders because it contains a fine assortment of past hits that includes blues ballads, catchy R & B with strong anthems. The tunes are the stars here with some terrific voices. Songs like “I Will Survive,” the haunting “Get Here,” “it’s Raining Men,” ‘To be Real,” “Total Eclipse of the Heart,” ‘What would You do For Love?” and “Hey There Lonely Girl” were featured by a terrific cast.

At only 75 minute long, the play is short and sweet, which gives you little excuse to miss this joyful production. Joy is an element that is often times absent from art, choosing instead to smother us with pretension, spectacle, or cynicism. The director made the theatre our humble home, leaving us with new ideas and warmth in our hearts. I recommend taking the time to bring some joy into your life and walk away with a better understanding of yourself and others.