Latest from Chicago Critic

Bring It On

If this show is going to Broadway and if it expects to draw more than an audience of 12 year old girls, it best tighten the storyline and make the dialogue and lyrics understandable. The hip-hop/rap songs were equal opportunity unintelligible items with the chirpy female lyrics.

The Convert

The external and internal clashes of monumental shifts in late-ninetieth century South Africa set the backdrop for a dark reflection on the ties that bind and break. A masterful cast brings power and profundity to this world-premiere production at the Goodman Theatre.

The Price

The title, The Price, has a dual meaning — on the surface the price is the amount haggled over and agreed upon for the apartment’s furnishings ($1,100). The price is also a fact of life. Whatever you do, whatever trade-offs you make in life, there is always a “price” that you’ll pay. Victor sacrificed a promising career in science to support his father. Walter, realizing that the father is more selfish than needy, went his own way and later, wanting his brother to speak to the illusion of the father’s neediness, refused Victor’s plea for a modest loan of $500– causing the final rift in an already fragile relationship.

The Laramie Project: Ten Years Later

A revisit to a painful past shows that revisionist rumors can’t erase painful pasts. The Tectonic Theater Project’s original exploration into the little Wyoming town that became the center of a maelstrom updates and reverses some of the entropy that has occurred with the hope of galvanizing a new generation.

The Ritz

Circle Theatre’s latest production proves that not every play deserves a resurrection. A 1975 farce is brought to laugh-free life. Leave this one back in the 70’s and progress on to the future.

They Are Dying Out

Filled with screaming and theatricality, this two hour absudists work is tedious and taxing. It is intended for those who love avante-garde styled European theatre. One can’t help but be impressed with the deep commitment of the players to the work. They fully engage their character’s foibles and zaniness and they deliver their dense speeches with ferocity and wit.

We Have Always Lived In The Castle

We like the three Blackwoods and we cheer for them despite our uncomfortable feeling that these misfits could be murderers. When Merricat acts out, we see how ugly provincialism can get as the girls strong bond allows them to survive. The action in act two is furious and the unraveling of the mystery who-done-it is resolved with a few clever twists.

The Petrified Forest

The Petrified Forest hooks us quickly as Sherwood wastes no time introducing us to life in the Arizona desert during the 30’s. Sherwood alludes to the Red Scare (Communist struggle) as he depicts the Depression Era belief that “something is wrong with the social order.” We meet several defeated folks, a wondering intellectual and an optimistic, dreamy girl anxious to find her roots in France.

The North Plan

When Carlton (Kevin Stark) is detained in the cage next to Tanya, the comedy increases as the federal bureaucrat (Carlton) rants about a conspiracy that is behind the nationwide civil strife afflicting the nation. Carlton solicits Shonda or Tanya to help him get the word to a journalist about The North Plan – documenting the existence of a list of citizens marked for arrest under the guise of being traitors. The wackiness almost reached farcical levels here.