Performed by the Babes with Blades, an all female “combat” theatre group, The Last Daughter of Oedipus is served well by this “no nonsense” cast of women. (They are two men in this show, but relatively inconsequential) “The Babes” handle swords, and kick-ass with the best of them. The acting isn’t bad either…a great ensemble for this script.
This play has much to say. These over educated, egotistical teens have too much time (and money) on their hands. The play centers on an actual weekend event when this group of pure Romantics challenged each other to a game of who could write the scariest horror or ghost story. It is on this weekend that Mary Shelley conceived her Frankenstein novel.
Review by Peter Oyloe Late Summer evenings are some of those most special of things, the air giving up the humidity of the season and in return floating your memories of the last few months across your minds eye in a cooling breeze that comes with the lengthening of the evening. It is a time … Read more
Frost/Nixon, the play, nicely packages the historical events of the Nixon Presidency with a glimpse into the world of TV journalist. We see one ambitious man trying to use a failed world leader and a frustrated ex-President striving to be understood and vindicated. they each need the other. The dynamics of Frost’s interviews, that included a mostly ‘no-holds barred’ agreement, were unprecedented at the time.
The 60 minute play involves revelatory exchanges between Teya and Luke that forces Teya to examine his life and his failures as a writer. This unique memory play dissects how we can experience a sort of willed amnesia to thwart bad memories and personal failures. Teya’s real legacy is threatened by Luke’s meticulous documentation of his life and his words.
Have you ever wondered what it would be like if Hamlet replaced his tights with a jumpsuit and his flat cap with a crash helmet? Neither have I. Thankfully, The Neo-Futurists theatre troupe, led by Ryan Walters, has taken up that task, and is presenting us with the Daredevils Hamlet.
Signal Ensemble Theatre’s spiffy new theatre (at 1802 W. Berenice in the old Breadline Theatre building) opens with a well acted funny early (1968) Tom Stoppard farce – The Real Inspector Hound. This 75 minute one act is a hoot! It pokes fun at theatre critics, stage mysteries such as Mousetrap, and is a lesson in absurdism satire.
For those who have not seen David H. Bell’s master work – Hot Mikado – trust me on this one – get to Drury Lane Theatre in Oakbrook to witness the most energetic, funny, toe-tapping musical comedy you’ll ever see. It is a tour de force comic satire: it is a dazzlingly spirited dance spectacular; and it is musical treat. In short, Hot Mikado deserves mention as one of the great all-time musicals. Amazingly, despite being a world-wide hit, this Hot Mikado has never played Broadway!
Blackbird is a disturbing piece about a girl reuniting with a man, with whom she had a sexual affair with when she was 12 years old.
One of the more difficult aspects of a rock musical is the sound design so that the powerful instruments don’t drown the vocals and reduce it to incoherent noise. Christopher Kris deserves a big round of applause of balancing all of these elements, including the addition of a hand-held microphone for solos.