Everything this production has to offer can be derived by reading Saltzman’s bio and by listening to his recordings. On top of his meek performance, the production was peppered with video projections, which only seemed to function as a means for cheap laughs and a multi-media edge. The production wouldn’t have been nearly as disappointing if it hadn’t been based on an aggressive promise to present new music and profound ideas

Lifeboat is a tragic story with an uplifting resolve. The production’s playful nature and captivating characters make it best suited for a younger audience (8-12). With its ability to entertain, the play serves as an opportunity to introduce children to some WWII history. I recommend taking your children to see this show, at your discretion. Be sure to give them some context before viewing and be prepared to answer questions afterward. I do not recommend the play to someone seeking a deep and more involved WWII drama.

At only 75 minute long, the play is short and sweet, which gives you little excuse to miss this joyful production. Joy is an element that is often times absent from art, choosing instead to smother us with pretension, spectacle, or cynicism. The director made the theatre our humble home, leaving us with new ideas and warmth in our hearts. I recommend taking the time to bring some joy into your life and walk away with a better understanding of yourself and others.

The Redtwist Theatre space allowed the audience to become guests in the already cramped apartment, beautifully designed by Joe Schermoly. I can’t imagine this play being nearly as effective in a proscenium auditorium. If you’ve ever wanted to see this show, now is the time to do so. To sincerely experience the brutal realism, it needs to be seen in a small theatre.