Search Results for: tug of war

REVIEWSTheatre Reviews

Fantasy Land for Dummies

If avant-garde, absurdist-cum-intellectual theatre with socio-political spice doesn’t sound like your fantasy of choice, I would encourage you to reconsider: having once been suspicious of “avant-garde” theatre, and being none too impressed by the typical fare of Chicago theatres’ socio-political commentary, I write with confidence that Trap Door offers something truly fresh and interesting in their curious productions. And while maybe not their strongest production to date, Fantasy Island for Dummies is still more exciting, exploratory, and entertaining than most — so long as you’re willing to dive into the oddly fantastical.

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The World of Extreme Happiness

The main character is surprisingly underwritten for how much Cowhig wanted a strong female lead; I have a hard time describing Sunny other than saying she is a Ke$ha fan and bursts into action when the plot requires it. Lim does her best with what she has to work with. I vastly preferred Long in her other role, the mid-wife Wang Hua, in which she was vibrantly funny, and played well off of Iskandar. His and Jue’s physical comedy supplied my favorite moments of the show.

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

A Christmas Memory & The Thanksgiving Visitor

It is 1931 in Monoreville, Alabama when seven-year-old Buddy is dropped of by his mother to his eccentric extended family. Buddy’s first friend quickly becomes his best friend. He develops a life altering unforgettable relationship with the 60something cousin, Miss Sook. She is a spinster recluse woman who never left the county, never ate in a restaurant and never married. Her world is the small house, cooking and being friends with Buddy. She is kind to everyone as she sees the best in everyone. She is thankful to the Lord and beholding to the wonders of nature. She nurtures Buddy as she teaches him by example what it is to be kind, gentle and human.

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Once

The haunting tunes together with several rousing show stoppers, makes Once a contemporary folk musical celebration of life and love. Once is original, innovative in its simplicity, yet it is a sophisticated and understated work filled with daring honesty. Anyone who has ever felt the pain of heartbreak will relate and empathize with Once’s tone. This beautiful musical is well staged, well sung and well acted

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

The School for Lies

Playwright David Ives sure knows how to take the 17th Century classic French farce, The Misanthrope, and bring it up to date from 1666 to modern times by using a mixture of rhyming couplets. Ives blends Moliere’s wordy comedy of manners style with contemporary colloquialisms with casual vulgarity and scatological humor that could offend some. Yet, the zaniness of the classic characters together with the witty couplets played for extreme comic effect, makes for a belly laughing theatrical feast.

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Making Noise Quietly

These three short plays demonstrate Robert Holman’s immense talent as a writer as he weaves a subtle glimpse into the damage that war can make in unexpected ways on common folks. Holman’s clarity and depth of character is rich in compassion and truth. The Steep ensemble, led by Josh Salt, as Eric, Patricia Donegan, as May, and Lorraine Freund, a Helene, contained strong character studies. This is a moving glimpse into the consequences of war.

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