The Wiz

Under the skilled theatrical craftsmanship of director Lil-Anne Brown and choreographer Breon Arzell, Kokandy production’s non-Equity production of The Wiz is a fun musical. It is filled with heart and soul as the African-American urbanized retelling of the Oz story is a funky, campy and heartfelt production. Led by the strong voiced and charming Dorothy (Sydney Charles), this adventure is a dance heavy trip to the Emerald City. Steeped in Black urban culture, this winning production is a humorously manic trip.

Eugene Onegin

Told in three acts and seven scenes and utilizing a stark empty set, Eugene Onegin is filled with Tchaikovsky’s most dramatic music rich in emotions that was effectively sung by this wonderful cast. Besides the wonderful turn by Mariusz Kwiecien, we enjoy fine work by Jill Grove as the nanny Filipyevna with Alisa Kolosova singing Olga beautifully. The Lyric Chorus sounded terrific and Tchaikovsky’s music was nicely conducted by Alejo Perez.

Gentle

By today’s psychological and social standards the Pawnbroker is—a narcissist—a misogynist—a cruel and autocratic husband! To Dostoevsky—perhaps the same. But there is something more to him, Dostoevsky shows us, as he compassionately winds us through the inchoate abyss of his modern soul—a soul modern psychology and sociology has since imperialized like topographers with signs and calculations and categories

The Columnist

He was a powerful voice of the Washington Establishment and a close personal friend of president John F. Kennedy who frequently came to Alsop’s home for a drink and advise. He was both beloved and feared as he was a fierce Cold Warrior who coined the term “Domino Theory” to explain the spread of Communism in Southeast Asia. During the Vietnam War, Alsop advised Kennedy to fight the Viet Cong fiercely. But as the 60’s dawn and after Kennedy is assassinated, Alsop suffers as America undergoes dizzying change that catches Alsop becoming embroiled both politically and personally.

Carmen – 2017- Lyric Opera of Chicago

The story revolves around a Spanish gypsy (the wild free-loving Carmen, played seductively by mezzo-soprano Ekaterina Gubanova) and the man she takes as a lover, a Spanish corporal, Don José (The powerful tenor Joseph Calleja). He is an upright but flawed man, with a mother and would-be fiancée in his home village; quick to temper and impulsive, when he shirks the advances of the beautiful gypsy, she finds him irresistible and throws a rose at him, striking him between the eyes. Having bewitched him, Carmen convinces Don José to go to prison in her stead; upon his release, he finds her, and she wants to run away together.

My Brothers Keeper – The Story of the Nicholas Brothers

Kudos to Rueben D. Echoles for creating such a wonderful, groundbreaking. bio-musical!. As the book writer, director and one of two outstanding actor/dancers (he plays Harold Nicholas) Echoles’ has created one of the best shows ever at the Black Ensemble Theater. Besides writing, directing, costumes, choreography, he wrote eight original songs that were fine show-specific tunes. Add Echolas’ terrific dancing and this show is truly Echoles’ opus!.

A Wonder In My Soul

A Wonder In My Soul is a most entertaining, often funny, wonderfully sung (not a musical but a play with songs) and a heartfelt drama about friendship, place and personal commitment as seen through social and political change. The dialogue is smart and witty and the acting is first class with Greta Oglesby and Jacqueline Williams leading the way.

By the Bog of Cats

Filled with richly symbolic dialogue that sounds poetic as well as funny in the great Irish tradition of storytelling, By the Bog of Cats is a densely worded tragic drama sprinkled with colorful characters and pure Irish humor.

A Fairy Tale Adventure

Kudos to playwright Sophia Holder and composers Justin Kono, Aaron Kaplan and Michael Goldman for constructing an original “Adventure” that is sweet, tuneful and delightful entertainment for the entire family. Martha Shuford’s costume designs are amazing and whimsical, the props clever and well chosen, and Annie Snow’s choreography lively and well performed.

Sweeney Todd – The Demon Barber of Fleet Street -Paramount Theatre

The story of the demon barber of Fleet Street revolves around Sweeney Todd’s ( the baritone Paul-Jordan Jansen) obsessive desire to seek revenge on the man responsible for exiling him, destroying his wife, and stealing his child. While awaiting his opportunity for retribution, he and the entrepreneurial Mrs. Lovett (Bri Sudia), become partners in a horrific venture in which Sweeney Todd provides Mrs. Lovett with the pivotal ingredient for her meat pies after giving his customers the “closest shave they will ever get.”