Chicago Critic Must See recommendations.
This year I admired The Christmas Miracle of Jonathan Toomey more than last year. Maybe, it was because of the message or that this year’s production was tighter? What ever the reason, this wonderful show reached me better than most holidays shows. It is a family friendly affair.
The kind of warm, witty production that shames most other holiday fare, this is a must see for the whole family this holiday season!
Court Theatre returns after nearly ten years to remount their successful holiday show based on a James Joyce short story- The Dead. As conceived and written by Richard Nelson with music by Shaun Davey, The Dead is a special, gentle and wholesome holiday musical. This time around, director Charles Newell and music director have a new cast that features an array of actors who can sing with several actor/musician to give the production an intimate realistic flavor.
Under director/choreographer Tammy Mader, dancing and tongue-in-cheek humor fuels the fun-filled romp back to the 20’s where the girls wore short hair and skimpy dress and the guys donned stripped pants and loud jackets. It was the era of fun times, especially at speakeasies and dance clubs.
Every policeman, waitress, ER nurse, and cab driver knows that two events trigger weird behavior in the public: a full moon and a major holiday. After a ten year run from 1992 through 2002, Will Kern’s Hellcab is being remounted by Profiles Theatre at their Main Stage in Lakeview. Kern’s play is based on his experience as a Chicago cab driver.
Jules Massenet’s Werther (1892) is a dramatically exciting and intensely passion and totally romantic French opera. Massenet’s varied music moves form lightly friendly even tranquil melodies depicting nature and happy children to intensely emotional feelings of a young poet madly in love with a woman he can never have.
The program was billed as “Three B’s… With a Twist”; the “twist” was a partial change, with two of the so-called Three B’s of Classical Music, Bach and Brahms, replaced by Boccherini and Bartok, but the third, Beethoven, left intact. The quartet gave a remarkable performance in this first installment of its three-part series this season in the Logan Center, even if I, for one, was not entirely impressed by the “revision of the Three B’s.”
O’ Neill’s family tragedy that features the Tyrone’s, a family in despair as they seem to be doomed and trapped in their dark past where fears, addictions and habits dominate the present. Long Day’s Journey Into Night is set in 1912 in the Tyrone summer home in New London, Connecticut. This most autobiographical play deals with the nature of family love where each person loves more than hates the other family members
Letts’ Superior Donuts demonstrates Letts’ keen ability to write dialogue capturing the unique voice of each of his rich characters. After 25 years living in Chicago, Tracy Letts claims he is a true Chicagoan. Superior Donuts is his ode to the melting pot ethnic neighborhood of Chicago’s Uptown….
Her’s back–yes Hershey Felder will be back here in Skokie soon.
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