Author: Tom Williams

REVIEWSREVIEWS BYTom Williams

The Tempest

Shakespeare final full play,The Tempest is now running at City Lit with a talented and dedicated group of actors who articulate The Bard’s poetic language with verve and aplomb. Filled with terrific period costumes including vivid threads for the Spirits, director Sheldon Patinkin’s deftly staged and superbly cast with non-Equity players who garner all the humor and zaniness of the work.

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THE PITCHFORK DISNEY

Literature from Interrobang Theatre Project states that the theatre “…poses muscular questions. Navigating through the dark together with our audience we attempt to arrive at new understandings and fresh perspectives of who we are and the world in which we live.” I did not walk away with a fresh perspective, but that is not to say that others might. Symbolism abounds in The Pitchfork Disney , but the long journey through it with only a slight redemption at the end may only be worthwhile for a few.

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

Plainsong

The characters act out the struggles of these small town folks as their discontent with the boredom and isolation of rural plains life renders them restless souls. High school teacher Tom Guthrie (Joseph Stearns) must raise tow boys alone since his wife leaves him after suffering depression. Guthrie also has conflicts with an unruly student, Russell Beckman (Rudy Galvan) without much help from his principal.

We also see how the two boys, Ike Guthrie (Cale Manning) and Bobbie Guthrie (Jack Edwards) cope with the loss of their mother by helping a lonely old lady.

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REVIEWSREVIEWS BYTheatre Reviews

The Lark

In the black box theatre, the play has been skillfully produced on the minimal set, with quick clever costume and character changes on stage. The cast preformed phenomenally, keeping a distinct energy in each of their characters through all of their character changes. The lead Aila Peck (Joan) brings an incredible emotion and intensity to the role, convincing you that she is the pure selfless heroin diligently performing her mission from god.

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Il Barbiere di Siviglia (The Barber of Seville)

As Barber’s preeminence among his output seems to have been established by a nearly unanimous consensus since its premier, more or less agreed to by Rossini himself, casual opera-goers who are given the chance to get regularly re-acquainted in the theater with this alone among the composer’s vast output may safely assume that it is that most worthy of such attention. And of course it is a delightfully sparkling, lyrical, and mischievous work, even if the music may not quite erase memories of Mozart, whom it often evokes and to which it ultimately yields the last degree of poignancy and memorability – it is hard not to enjoy this lovely opera.

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