Tom Williams

Tom Williams founded ChicagoCritic.com in 2001 and spent decades reviewing theatre and live performance across Chicago and its suburbs, from Broadway tours and major institutions to storefront theatre, opera, cabaret and classical music. In 2010, the Society of Midland Authors honored him with the James Friend Memorial Award for Literary and Dramatic Criticism (our 2010 announcement). Concord Theatricals quotes his reviews on its licensing pages for shows including Crazy for You and City of Angels.

The Winner…of our Discontent

October 23, 2022December 11, 2016 by Tom Williams

In their 105the revue, the new management at The Second City has presented their six creator/performers a mixed bag of sketch comedy titles: The Winner…of our Discontent which asks if its broken, should we fix it? With post-election drama filled with rich comic possibilities, I was amazed at the lack of biting comedy in the group’s sketch bits about the election?. True there were some funny bits like the Cubs bat boy bit and the three guys watering the lawn but there were also several bits that just didn’t produce laughs.

Twist Your Dickens

December 9, 2016 by Tom Williams

Now in its third year down the hall from A Christmas Carol, Twist Your Dickens one more offers a comic holiday treat featuring the best techniques of Second City to make you laugh during the holidays. Move over Larry Yando – Ron West is your rival as Scrooge. LOL! Comic writers Peter Gwinn and Bobby Mort have penned a smart, hilarious and rambunctious spoof of A Christmas Carol.

The Curious Incident of the Dog in the Night-Time

October 22, 2022December 8, 2016 by Tom Williams

The play’s point-of-view is from Christopher’s as we see his reaction of events such as his scary travel to London through vivid lighting, extreme sounds and ensemble movements that pick-up the teen as he screams with fear. This work will tug at your emotions and empathy as you go on the adventure with Christopher. Eventually this play creates sensory overload as the ear-crushing sounds and lighting collide with the wild ensemble movement that moves Christopher along his mysterious journey. You”ll not see fantastical movement like in this play in most plays. These sensory bits are usually only found in musicals. But they exist in Christopher’s perspective.

This Way Outta Santaland

October 22, 2022December 6, 2016 by Tom Williams

Add some clever tune mixed with holiday favorites deftly sung by power-voiced Meghan Murphy and This Way Outta Santaland is a precious, deeply human, holiday night of stories celebrating one of the funniest comic entertainers working in Chicago – Mitchell Fain

Uncle Philip’s Coat

October 22, 2022December 4, 2016 by Tom Williams

Gene Weygandt mixes humor with Jewish irony and loads of Yiddish to tell his family’s history through his unfaltering dreamer uncle’s story. This journey of self-discovery contains a rich depiction of the myths and beliefs from a survivor steeped in Russian Jewish traditions. The immigrant experience in America finds Matty’s father working in jewelry while uncle Philip lives as a homeless wanderer who sells things from his long black coat.

Tonya & Nancy The Rock Opera

October 22, 2022December 1, 2016 by Tom Williams

This is a wildly paced and extremely loud production that tells the story of the 1990’s ice skating scandal that marred the rivalry between American Olympic ice skaters Tonya Harding ( Amanda Horvath) and Nancy Kerrigan (Courtney Mack).

The production take a tabloid approach to the story of rivalry and desperation as the quest for Olympic stardom overtakes each skater. We see the role of the mothers both played by Veronica Garza as she belts her way through the opera.

Pygmalion – Remy Bumppo think theatre

September 27, 2017November 30, 2016 by Tom Williams

Pygmalion. Shaw’s most popular play was written in 1912 and first performed in 1914. It became the great musical My Fair Lady in the 1950’s that used much of the original Shaw script including much of the dialogue in the song lyrics. Pygmalion, in its initial script, had a different ending that many producers and Shaw himself changed several times. This production used Shaw’s original ending which may be a surprise to My Fair Lady and fans of the 1930’s film of Pygmalion. Kudos to Remy Bumppo for sticking to the initial ending. They did use a framing device that has an older Eliza visiting Higgins’ Whipple Street flat after his death in the lat 1940’s. This didn’t effect Shaw’s ambiguous ending.

Don Quichotte (Don Quixote)

October 22, 2022November 26, 2016 by Tom Williams

Jules Massenet’s (1842-1912) Don Quichotte is “comédie-héroïque” with sweepingly lush score composed in 1909-10 while the composer was ill and after he has a failed opera (Bacchus). Don Quichotte features a lighter take on the idealistic, delusional knight and his squire Sancho than the 1964 Broadway musical Man of La Mancha. Both are excellent takes on Cervantes’ classic.

Finding Neverland – 2016 National Tour

October 22, 2022November 24, 2016 by Tom Williams

After many changes, Finding Neverland, opened on Broadway in March 15, 2015 and closed on August 15, 2015 playing to 62% of capacity – losing much of the $20 million production cost. Upon closing, Finding Neverland played 33 previews and 565 performances. Executive produced Harvey Weinstein (the film producer of many hit films) makes his lead producer debut on Broadway with Finding Neverland. After only a four month run it is now touring the USA and is now playing at the Palace Theatre until December 4, 2016. While there are some fine moments, especially with the four boys, Finding Neverland comes of as an over-staged and over-produced musical filled with unremarkable and unmemorable songs in a overlong show (2hours, 40 minutes) filled with sentimental fluff.

Roz and Ray

October 22, 2022November 21, 2016 by Tom Williams

Karen Hartman is foremost political playwright with the skills to take a human crisis and make that into a powerful drama as she blends the struggle of two people to keep folks alive during a crisis from a new medical problem. Hartman weaves a most personal view from a father who struggles to keep his twin hemophiliac boys alive and their dedicated doctor who prescribes a new miracle drug to solve the ‘clotting factor’ that is needed to stop bleeding. Effectively using a documentary style to explain about hemophiliac and how medical science advances treatment as pharma companies create a product to eliminate the need for blood transfusions