Zero
By Chris O’Connell Directed by Ben Fuchsen At Oracle Productions Video design and energetic acting saves Zero Oracle Productions, and
Read MoreThe Lieutenant of Inishmore—a most gruesome yet hilariously dark comedy about the absurdity of political violence. This amazing production illustrates the power of live theatre to reach into the hearts and souls in a most visceral and earthy manner.
Read MoreIf you are looking for enlightenment or revelation about the governor’s pathetic story, forget it. Nothing about this show is serious. It is non-stop raucous cheap shots that stick strictly to the most publicized fact
Read MoreWith the Lieutenant of Inishmore, however, motivation is either non-existent or outrageous and absurd. Everything springs from the death of a cat. The result is not limited to “an-eye-for-an eye” retribution but goes far beyond this: not merely, “If you kill my cat, I will kill yours,” but “If you kill my cat, I will kill you!”
Read MoreTom Williams discusses the following stage plays: Old Times, The History Boys, and Aura, with host Carl Amari on the Radio Program Hollywood 360 on WIND 560 AM. May 2, 2009.
Read MoreRaven Theatre’s fine production of Henrik Ibsen’s 1891 Hedda Gabler, in a contemporary adaptation by Jon Robin Baitz, is a star turn for Mackenzie Kyle as the neurotic, spoiled and totally devious Hedda Tesman (formerly Gabler). Hedda Gabler is the story of Ibsen’s ultimate socialite, the daughter of a Norwegian aristocratic General.
Read MoreThe Flu Season, besides having nothing to do with the flu, is a play about the agony of writing a play. It is a deconstructed, non-linear drama that wants to be both a love story and a glimpse into the world of mental illness.
Read MoreWithout the choruses, Brook’s Carmen depends on the strong vocals by Sandra Piques Eddy’s Carmen and the discovery of Noah Stewart, the mellow tenor who sings Don Jose. Together with Krenare Gashi’s Micaela and Michael Todd Simpson’s Escamillo, the cast reaches new heights of vocal acumen.
Read MoreMusing, Amy Whittenberger’s new play about just how far someone will go to get ahead, is not exactly such a gem, but there is enough of a spark to the no-budget show and to the energetic young company that is producing it to make it worth the trip to Rogers Park – at least for those who prize originality and energy.
Read MoreRough Crossing focuses on two European playwrights who have nothing to do before their ship docks in New York except create and rehearse a new ending for their latest musical before the composer finds out the leading actress is cheating on him. What could be simpler!
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