Author: Tom Williams

REVIEWSTheatre Reviews

Mosque Alert

Mosque Alert is significant for its insistence that discussion of Islam’s place in America be reasoned, honest, well-informed, and treat humans as unique individuals instead of abstractions or targets of collective blame. Given how rarely any issue is treated that way, it’s an ambitious goal, but Silk Road is at the forefront of making it happen.

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REVIEWSTheatre Reviews

Adding Machine: A Musical

In a new production by The Hypocrites under the direction of Geoff Button, Adding Machine: A Musical still presents a nightmarish, lonely world, but it has also been stripped down to the minimum necessary staging, design, and music. The result brings Mr. Zero’s emotional tumult to the forefront in a fittingly understated manner.

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The Edge of Our Bodies

For the Chicago premiere of The Edge of Our Bodies, Tuta Theatre Chicago artistic director Jacqueline Stone has created a site-specific performance in a Ravenswood Manor garage near where the Brown line crosses Manor Avenue. The muffled, but ceaseless clang of the crossing signal is the perfect accompaniment to a play that heavily emphasizes decay and distance.

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The Life of Galileo

By the end of Galileo’s century, autocrat Louis XIV was calling himself the Sun-King (because the world revolved around him), and Jesuits were using the newfound ease of predicting the movement of planets as evidence that the universe was designed by an intelligence who made humans in His own image. The complex relationship between science and power was one Brecht spent the latter part of his life reconsidering, and in The Life of Galileo, we are forced to reconsider it as well. Perhaps, in that sense, it fits into his conception of Epic Theatre after all.

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