Margaret Eva By Nora Ephron and Delia Ephron Based on the book by Ilene Beckerman Directed by Rachel Lambert A Multitude of Memories “Love, Loss, and What I Wore” offers an extremely vast array of topics, each triggered by an article of clothing from the characters’ past. It runs the gamut from silly little comments to a … Read more
“The Gravedigger: A Tale of Frankenstein’s Monster”, follows the doctor’s retribution search for the monster….but this eerie tale flows with more symbolism, content and depth of dialogue than one probably finds in the subsequent plays and movies from the original 1818 story. When you suspend disbelief, The Gravedigger offers an honest dramatic evening of theater with good direction, script, acting, and terror…absent the many possible current gimmicks available.
CATS has a small story, but wonderful messages within many of its songs, and the creative brilliance of Paramount’s show makes it a must see. With CATS, all the superb singing and exciting dancing plays out the characteristics of different cats, which parallel people you probably know. And which cat do you most closely resemble? Find out with this breathtaking production at the Paramount Theatre only now through October 12, 2014.
I would be challenged to even guess how many separate jokes and zingers Neil Simon wrote for Memoirs, and they sneak up or slide into some of the most dead serious moments. Neil Simon wrote remarkable dialogue, and Fox Valley Repertory gives an outstanding winning performance for a funny funny good time. Try “Brighton Beach Memoirs” and enjoy!
Shakespeare’s very funny comedy begins with the conniving ways of a roly-poly Sir John Falstaff (Brian McCartney) to seduce not one but two wives (Mistress Ford-Lydia Berger Gray; and Mistress Page-Patrice Egleston). The wives conspire on creative antics to see that Falstaff gets his comeuppance which offer hysterical situations. The play raises the concerns of trust, greed, deception, chaos, and love.
On the surface “The 25th Annual Putnam Country Spelling Bee” appears to be a simple situation with a familiar setting, amusing songs, and many laughs; but before the intermission, you realize much more evolves. This show is about the challenges of adolescence interwoven with the personality of each character. All are academic over achievers with six different personalities. “…The Bee” shows heartfelt back stories of these main characters, eventually leading to their personal triumphs and their center stage songs
Obviously, the play begins with a most imaginative script, derivative of Wagner’s Opera, “Tristan and Isolde… well sort of… but you can be quite sure that even Wagner is laughing somewhere.
First Folio Theatre presented a very refreshing evening of theatre on opening night with the world premiere of “Salvage.” With only two characters, and a set that never changes, Zettelmaier structures an appealing play on many levels. On the surface, a collectibles shop owner in financial trouble meets a new customer, and sparks seem to fly almost instantly. But on other levels, the play directly and indirectly touches on the psychology of collecting things…the nostalgia…the value.
Rent was conceived in the hay day of the prevalence of AIDS, but with the strides made in medicine and now laws regarding Gay marriage, Rent seems a bit outdated. But, today’s audiences may relate to the many similarities seen recently from the “Occupy Wall Street” movement that occurred in September 2011. “Rent’s” opening-night audience responded positively, perhaps because the young people were unaware of the 1980s-1990s when AIDS was at the forefront of political action. Or, they may have enjoyed the shock and novelty found in the play, or they agreed with the references to many political points.
Literature from Interrobang Theatre Project states that the theatre “…poses muscular questions. Navigating through the dark together with our audience we attempt to arrive at new understandings and fresh perspectives of who we are and the world in which we live.” I did not walk away with a fresh perspective, but that is not to say that others might. Symbolism abounds in The Pitchfork Disney , but the long journey through it with only a slight redemption at the end may only be worthwhile for a few.