MUST SEE

These are Chicago Critics Must See shows. If you are only going to see one show let us recommend one of these great pieces of true Art!

MUST SEETheatre Reviews

Romulus

The first thing to about Durenmatt’s Romulus is that he called it a history play with no historical basis. Several different people from the period in the fifth century arbitrarily labeled “the fall of the Western Roman Empire” are conglomerated here, and their relationships are redefined for dramatic effect. But that’s alright, because this story, presented now by the capable team at Oracle, is more engaging and thought-provoking than a treatment of the actual events would likely be.

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Sweeney Todd – The Demon Barber of Fleet Street by Porchlight Music Theatre

Porchlight Theatre, under the leadership and direction from Michael Weber, have mounted, on a low budget, an intense, well sung and well performed production of Sweeney Todd. It rivals the terrific production recently at Drury Lane Oakbrook in quality not scope. This production is intimate, slick and darkly scarey proving that the source material can work on different scales. This Sweeney plays very much like the 1979 original and the 1982 national tour.

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Both Your Houses

Founding artistic director of Remy Bumppo, James Bohnen, returns to direct a political satire by Maxwell Anderson, his 1933 Pulitzer Prize winner drama, Both Your Houses. This is a fine ensemble work that features naturalistic dialogue from a cast that easily captures the essence of powerful United States Congressman as they wheel-and-deal to get an appropriations bill through congress in the late days of the Hoover Presidency as the Great Depreciation devastates America.

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Season on the Line

Season on the Line follows the Bad Settlement Theater company, a once prominent company in their community who in recent years have hit new lows in both ticket sales and subsequently production quality. A dilapidated, musty old Motel Theater with a budget stretched thinner than razor wire. The scene opens with the new kid, just known as The Narrator, telling the story of how he became the Assistant Stage Manager (ASM

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

The Wild Party

Among the remarkable accomplishments by LaChiusa and Wolfe that director/choreographer Brenda Didier made in The Wild Party was that the story contains a rich, fully developed group of characters depicted through song, dance and comedy. This show is a drama that morifs into a into a musical that marvelously tells its story through songs and strong acting. The singing, dancing and comic turns by the entire cast were amazing

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Cole Porter’s Greatest Hits

Take all the youngsters in your life to hear a master songwriter’s work neatly song by a veteran cast presenting a varied, engrossing revue of memorable show tunes that have survived the test of time. Cole Porter’s songbook needs to be heard again by us fans of genius composers/lyricists. Porter takes his place among Gershwin, Sondheim, Berlin and Herman. Light Opera Works, once again, has a hit revue going that begs a trip to Evanston.

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MUST SEEREVIEWSTheatre Reviews

The Vandal

It’s fine to have funny Halloween stories, but the most lasting experiences are those that trigger fears like loneliness and regret. The Vandal packs a lot into its short run-time, and rewards its audience for their investment. This is a good show if you want to break up the drinking and zombies for the early part of an evening sometime this fall.

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Music ReviewsMUST SEEOperaREVIEWSREVIEWS BYTom Williams

Don Giovanni at the Lyric Opera of Chicago

This production of Don Giovanni is particularly well sung, especially by soprano and Ryan Opera Center alumna Andriana Churchman making her role debut as Zerlina. Her natural melodic singing was a joy to hear! She should be proud of her debut performance. The other cast members were terrific also. Marina Rebeka, a soaring soprano and soprano Ana Maria Martinez as Donna Elvira complimented the scorned ladies.

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