MUST SEE

Just as they did at Marriott Theatre and now in an even more gloriously energetic production on the larger Paramount stage, Rachel Rockwell and Tammy Mader have added little twists and some innovative choreography (especially in “Shadow Waltz” number to make this production stand out without trying to re-invent this classic backstage tap show.

Hedda Gabler, by “the father of realism” is Henrik Ibsen’s 1891 drama. It is a tour de force performance by Kate Fry as the neurotic, spoiled and totally devious Hedda Tesman (formerly Gabler). Hedda Gabler is the story of Ibsen’s ultimate socialite, the daughter of a Norwegian aristocratic General.

I believe Phantom survives because of a combination of a hauntingly beautiful score sung well by the entire cast encased in fantastic sets, costumes, lights, sounds, falling chandeliers and pyrotechnics presented in a breathtakingly illuminating showcase. Quality control by producer Cameron Mackintosh demands that each production live up to the highest standard thus assuring audiences that of worthy entertainment. Phantom has all the extravagant trappings necessary for the spectacle that makes The Phantom of the Opera the phenomena it has become.

Solstice is one of those theatrical gems that needs a strong cast and a director with a focused vision (like Karen Kessler has here). It is a moving cautionary tale of what happens when violence and inequality separate folks from the same culture . It demonstrates how terrorist are made when intolerance invades a culture.

This landmark play (for 1934 audiences), The Children’s Hour, is a drama set in an all-girls boarding school run by two women, Karen Wright and Martha Dobie. An angry student, Mary Tilford, runs away from the school and to avoid being sent back she tells her grandmother that the two headmistresses are having a lesbian affair. The accusation proceeds to destroy the women’s careers, relationships and lives.