This drama, after several upsetting torture scenes, reverts into religious diatribes as the torture has unintended consequences. Ayyub becomes a religious zealot. Pvt. Michaels turns religious (possibly a Muslim?) The symbolism is playwright Pasulka’s feeble and unearned attempt to show that torture can be fought off in the name of God. Ha?
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Flanagan is dead, but don’t be sad because remembering his life is all about laughs! unfortunately, in this show the laughs are few. The problems with this improv are many. From the extremely bad accounts in the hall that makes much of the dialogue difficult to hear or understand (a real problem when punch-lines are spoken) to the combination of the actors speaking much too fast with their thick authentic Irish brogues – rendering much of the words spoken as inaudible. It is hard to laugh when you can either hear or understand what is being said.
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By today’s psychological and social standards the Pawnbroker is—a narcissist—a misogynist—a cruel and autocratic husband! To Dostoevsky—perhaps the same. But there is something more to him, Dostoevsky shows us, as he compassionately winds us through the inchoate abyss of his modern soul—a soul modern psychology and sociology has since imperialized like topographers with signs and calculations and categories
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He was a powerful voice of the Washington Establishment and a close personal friend of president John F. Kennedy who frequently came to Alsop’s home for a drink and advise. He was both beloved and feared as he was a fierce Cold Warrior who coined the term “Domino Theory” to explain the spread of Communism in Southeast Asia. During the Vietnam War, Alsop advised Kennedy to fight the Viet Cong fiercely. But as the 60’s dawn and after Kennedy is assassinated, Alsop suffers as America undergoes dizzying change that catches Alsop becoming embroiled both politically and personally.
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So much can be thought about and delighted in in David Ives’ Venus in Fur, its richness so playful and complex, that one would have to have no liking for drama, no capacity for humor, and no mind for consideration to not enjoy this production. Circle Theatre’s production has some stellar, some faltering moments, but overall it is a success worthy of attendance.
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Kudos to Rueben D. Echoles for creating such a wonderful, groundbreaking. bio-musical!. As the book writer, director and one of two outstanding actor/dancers (he plays Harold Nicholas) Echoles’ has created one of the best shows ever at the Black Ensemble Theater. Besides writing, directing, costumes, choreography, he wrote eight original songs that were fine show-specific tunes. Add Echolas’ terrific dancing and this show is truly Echoles’ opus!.
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A Wonder In My Soul is a most entertaining, often funny, wonderfully sung (not a musical but a play with songs) and a heartfelt drama about friendship, place and personal commitment as seen through social and political change. The dialogue is smart and witty and the acting is first class with Greta Oglesby and Jacqueline Williams leading the way.
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The Marriott consistently draws upon the most stellar A-list of talent, none more impressive than its current director Rachel Rockwell. If you have been around Chicago musical theatre anytime over the past two decades you will surely have crossed paths with this ABBA-solutely amazing artist whose talents and creative vision know no peer. Ms. Rockwell is also a vet performer of the Broadway company of “Mamma Mia!” so she’s already got the blueprint down pat.
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LLL is a verbose work with punning and allusions coming almost nonstop. This snappy wordplay is funny and keeps you interested in the characters and the story. The wit and charm comes through from excellent cast lead by Laura Rook (Rosaline) and Nate Burger (Berowne) whose punning banter wins our hearts.
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Filled with richly symbolic dialogue that sounds poetic as well as funny in the great Irish tradition of storytelling, By the Bog of Cats is a densely worded tragic drama sprinkled with colorful characters and pure Irish humor.
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