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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

The Phantom of the Opera – National Tour

I believe Phantom survives because of a combination of a hauntingly beautiful score sung well by the entire cast encased in fantastic sets, costumes, lights, sounds, falling chandeliers and pyrotechnics presented in a breathtakingly illuminating showcase. Quality control by producer Cameron Mackintosh demands that each production live up to the highest standard thus assuring audiences that of worthy entertainment. Phantom has all the extravagant trappings necessary for the spectacle that makes The Phantom of the Opera the phenomena it has become.

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

A Day in the Death of Joe Egg

The play’s action comes to a complete halt when Brian and Sheila enact all the events as how Joe came into the world handicapped and what the couple did to try to get something done to help little Joe. In this series of enacted events, Vance Smith deftly and quite comically impersonated fastidious British doctors as well as a goofy German doctor. Smith demonstrated his versatile acting skills. His part is extremely over written but in Vance Smith’s hands Brian becomes a most impressive fellow. You’d be hard pressed to see a stronger acting performance. Smith makes his verbose character tolerable.

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

Our Country’s Good

As problematic as the work’s premise is, I am confused by the tone. With the wildly over-played British accents and having women play males soldiers with an over-the-top manner and the prisoners, especially the women, I’m not sure if Our Country’s Good is suppose to be a comedy or a parody or a satire? But with so much cruelty toward the prisoners by most of the soldiers, it is hard to see the piece as more than melodrama.

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Music ReviewsMUST SEEOperaREVIEWSREVIEWS BYTom Williams

Madama Butterfly- new cast for 2014

The Lyric Opera of Chicago has mounted a most pleasing production of Puccini’s favorite opera—Madama Butterfly. Each time I see Butterfly live on stage. I am overwhelmed by the haunting and melodic score by Puccini. I can see why this is one of the most beloved operas of all-time. The sheer intensity and sweeping majesty of the Japanese set (design by Christopher Oram), in a new production, together with Puccini’s theatrical score made for a marvelous experience. Add the exquisite voice of Amanda Echalaz who deftly depicts Cio-Cio-San as the epitome of devotion,
hope and honor. Patricia Racette takes over the role of Cia-Cia-San for the January, 2014 dates and she received an enthusiastic standing ovation on January 11, 2014.

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

The Children’s Hour

This landmark play (for 1934 audiences), The Children’s Hour, is a drama set in an all-girls boarding school run by two women, Karen Wright and Martha Dobie. An angry student, Mary Tilford, runs away from the school and to avoid being sent back she tells her grandmother that the two headmistresses are having a lesbian affair. The accusation proceeds to destroy the women’s careers, relationships and lives.

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