Despite the fact that this is ostensibly a ‘war drama,’ Moscovitch’s main preoccupation in This Is War is sexuality, and there’s a tenuous connection to be made here between the violence of war and the violence of sex, each of which is capable of ripping people limb from limb. In addition to the central love triangle, Moskovitch also drops a somewhat peripheral gay subtext into the relationship between Hughes and the company medic Chris Anders (Dylan Stuckey), who is himself openly homosexual. But like I said, the connection here between war and sex is tenuous, with one sphere of action failing to comment on or fully reinforce the other. Hence, This Is War ultimately reads more like a salacious melodrama that is only incidentally set at the frontline of battle.
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