Tom Williams

REVIEWSTheatre ReviewsTom Williams

The Black Slot

While The Black Slot has a smart premise, problems stretch credulity as the plot unwinds. Further development of Tim and Beth’s relationship and the ending seems unfinished. But the satire of how regional theatres operate and their beliefs systems as to what and why their core audiences want to see on stage hit home for me.

This work sure has possibilities and with some re-writes, it sure could be terrific. As now presented, it sure has many smart moments. Justin Wade Wilson, as Tim and Amy Kasper, as Pam were particularly effective. The Black Slot is worth a look.

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MUST SEEREVIEWSTom Williams

Dutchman and TRANSit

These two companion one-acts are riveting, explosive and truthful as simmering racial (and gender) rage explode today as it did in the 1960’s. Both works will upset and get audiences aware of the cancer of racism and gender hatred that eats away at our society. Dramatizing can be the first step toward a solution – hopefully. See these two powerful one-acts.

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REVIEWSTheatre ReviewsTom Williams

Amour

This one hour and forty-five minute opera has loads of humor, whimsy with enough charm to be appealing. As an opera, Amour is sung through at a brisk pace offering a challenge to the cast of nine. With a range of vocal abilities moving from ordinary to vocally tepid, Amour vocally is uneven at best. But the committed cast works hard to land the difficult score. They are best in the comic numbers and action-plot numbers. Emily Goldberg, as Isabelle, demonstrated her vocal chops in several fine ballads. Scott Gryder was a comic hoot while Kevin Webb was a deliciously evil.

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MUST SEEREVIEWSTheatre ReviewsTom Williams

Bakersfield Mist

Maude is a working-class ‘every women’ played here by Janet Ulrich Brooks, one of the finest actress’s working in Chicago theatre today. She uses every female tactic from friendliness, to booze, to sex, to terror to assure that her elitist sophisticated art expert rates her painting a genuine Pollack. To Maude, her quest is about more than money.

92 year-old Mike Nussbaum magnificently delivers a complex performance as Lionel Percy, the New Yank art expert. He deftly explains the essence of art; how he uses “The Blink” to instantly discover if a an art work is authentic. These feelings together with years of examining thousands of art pieces makes his intuitive method of judging art to be accurate.

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Music ReviewsREVIEWSTom Williams

“Oh, Coward!” by Dead Writers Theatre Collective

Filled with the words and songs of Noel Coward (1899-1973), the English playwright, composer, director, actor and singer, known for his wit and flamboyance, Oh Coward! is a sharp 35 song-fest that is nicely performed by Michael Pecas, Joanna Riopelle and Ian Rigg with terrific arrangements by Gerald Bailey with fine piano work by Howard Pfeifer. The non-Equity cast delivered a slick, sophisticated, mostly well sung musical revue.

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MUST SEEREVIEWSTheatre ReviewsTom Williams

Rose

Linda Reiter grabs us and hold us throughout her 90 minute sole performance. My generation can still tell you where they were when John Kennedy was shot, so we still have a fascination with all things ‘Kennedy.’ Reiter channels Rose as she unflinchingly speaks of the triumphs and tragedies of the Kennedy clan. Along the way, we gain insights into Rose’s character, her subtle strength and her devotion to her family, especially her boys. We also become aware of the extreme influence of Joe Kennedy on the family.

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MUST SEEREVIEWSTheatre ReviewsTom Williams

MAME at Light Opera Works

The creatives at Light Opera Works, under the determined direction from Rudy Hogenmiller, have mounted a fabulous production of the1966 Broadway musical Mame, the show that necessitates a lady who can do comedy, act, sing and dance- a rarity in a middle aged performer. Rosalind Russell in 1957 in the comedy Auntie Mame , Angela Lansbury in 1966 Broadway musical, Lucille Ball in 1974 in the movie version of Mame. That character is one of the most charmingly lovable, vivid and endearing characters to grace the stage. Finding all the attributes in one person is difficult leading to few productions of Mame onstage.. My best guess is that Mame was last mounted in Chicago at Marriott Theatre in 2001.

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REVIEWSTheatre ReviewsTom Williams

TORUK — The First Flight

To me the story was secondary to the energetic scenes played out by a large cast of acrobats, gymnasts and tumblers. This show features loud techno music vivid lighting and mind-blowing sets and extreme puppets. The emphasis on how the story is told trumps (sorry) the story. At just under two hours, it works Especially for those into Avatar the film. The audience seemed to enjoy the spectacle more than I did. All the running, tumbling and climbing together the ear-splitting music wore thin with me. But this show is “critic-proof” since the large following of Avatar will love this show.

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MUST SEEREVIEWSTheatre ReviewsTom Williams

Newsies 2016 National Tour

Newsies delivers enough sheer energy with an adventurous story that depicts a worthy moral. This exciting show is filled with heart, empathetic characters as the boys win a round in quest of their place in the scheme of life in turn-of-the-Century New York. Newsies is a fine show filled with enough joy and energy to light up our holidays. It is much better than the film. Hurry, you have only until August 7th to see this fun show.

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REVIEWSTheatre ReviewsTom Williams

C. S. Lewis onstage The Most Reluctant Convert

Concepts such as the above are effectively explained by McLean during this 80 minute one-act solo show. This show is for fans of C. S. Lewis, for those who enjoy a “thinking-person’s” play, and for anyone who enjoys a tour de force performance. Actors need to see Max McLean to learn how to make subtle and complex material by an academic sizzle on stage. McLean delivers in C. S. Lewis onstage The Most Reluctant Convert without being ‘preachy.’

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