Tom Williams

MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

The Normal Heart

TimeLine Theatre presents Larry Kramer’s 1985 drama, The Normal Heart, that was both a call to action and a vivid personalized look at the devastating effects of an unknown plague surfaced mostly in the gay community in the 1980’s. We meet gay men dying quickly from a plague that seems to be only affecting them. A dedicated and outspoken doctor, Dr. Emma Brookner (Mary Beth Fisher in a riveting performance) pleads with influential gay men to get the word out to abstain from having sex until scientists find the cause of the plague that causes the immune system in an infected body to shut down. Ned Weeks (David Cromer), playwright Larry Kramer’s alter ego) is the abrasive, confrontational, combative writer turned activist who leads the fight to awaken the world to the crisis. He battles an deferential local and federal government as well as a gay community who isn’t about to change their sexual habits.

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Miss Saigon

Miss Saigon is a romantic musical—a pop opera really—set in 1975 in Saigon just as the Viet Nam war closes. An American marine, Chris (power voiced Brandon Moorhead) falls in love with young native orphan—Kim (the lovable Shawna Haeji Shin) that is reminiscent of Puccini’s opera Madama Butterfly. This tragic tale of love and war contains much recycled Boublil & Schonberg music that sound amazingly like Les Miserable especially with the many anthems.

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

Good Thing

Poor Theatre Company Chicago premiere of Jessica Goldberg’s Good Thing doesn’t live up to its name. It parallels two dysfunctional families -one a middle aged childless couple struggling with a twenty year unhappy marriage and the other – a twenty-something married couple living in squalor with a drug using younger brother.

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Hello, Dolly!

Hello Dolly! contains a funny, romantic and innocent book by Michael Stewart adapted from Thornton Wilder’s The Matchmaker. Director Rachel Rockwell plays it for all the laughs contained. David Lively deftly plays Horace as as the grouchy store keeper with his spot-on comic timing and grim malice. We see Horace as a cranky, unloved miser and ½ millionaire who runs a feed store in Yonkers, New York. Dolly Levi is determined to marry Horace but she must help some loved starved folks while she eliminated her competition for Horace’s hand. The result is a bewitchingly cute tuneful romantic musical comedy.

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MUST SEEREVIEWSREVIEWS BYTheatre ReviewsTom Williams

Trevor

Jones uses the technique of having Grimm speak as the chimpanzee that only us audience members can understand-and- Trevor, the chimpanzee can’t understand the humans, But, of course, we can understand both. This ingredient garners much humor as we hear Trevor verbalize his thoughts, dreams and desires. We also see his loving mother figure, Sandra (Mierka Girten) as she struggles to maintain Trevor as her housemate rather than a caged animal.

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

Lord of the Flies

During the 90 minute production, we witness how some boys can go wild and play to their most base instincts. We see how a contemporary flash mob or football game rivalries can elicit the group savage instincts in youths like these English boys did. That potential wildness impulse is explored vividly that hopefully the youths who see this timely production will begin to understand. They learn that such violence is not just a game as these English boys proclaim upon being rescued.

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