Tom Williams

MUST SEEREVIEWS BYTheatre ReviewsTom Williams

The Price

The title, The Price, has a dual meaning — on the surface the price is the amount haggled over and agreed upon for the apartment’s furnishings ($1,100). The price is also a fact of life. Whatever you do, whatever trade-offs you make in life, there is always a “price” that you’ll pay. Victor sacrificed a promising career in science to support his father. Walter, realizing that the father is more selfish than needy, went his own way and later, wanting his brother to speak to the illusion of the father’s neediness, refused Victor’s plea for a modest loan of $500– causing the final rift in an already fragile relationship.

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REVIEWSREVIEWS BYTheatre ReviewsTom Williams

They Are Dying Out

Filled with screaming and theatricality, this two hour absudists work is tedious and taxing. It is intended for those who love avante-garde styled European theatre. One can’t help but be impressed with the deep commitment of the players to the work. They fully engage their character’s foibles and zaniness and they deliver their dense speeches with ferocity and wit.

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REVIEWS BYTheatre ReviewsTom Williams

The Petrified Forest

The Petrified Forest hooks us quickly as Sherwood wastes no time introducing us to life in the Arizona desert during the 30’s. Sherwood alludes to the Red Scare (Communist struggle) as he depicts the Depression Era belief that “something is wrong with the social order.” We meet several defeated folks, a wondering intellectual and an optimistic, dreamy girl anxious to find her roots in France.

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MUST SEEREVIEWSTheatre ReviewsTom Williams

The North Plan

When Carlton (Kevin Stark) is detained in the cage next to Tanya, the comedy increases as the federal bureaucrat (Carlton) rants about a conspiracy that is behind the nationwide civil strife afflicting the nation. Carlton solicits Shonda or Tanya to help him get the word to a journalist about The North Plan – documenting the existence of a list of citizens marked for arrest under the guise of being traitors. The wackiness almost reached farcical levels here.

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MUST SEEREVIEWS BYTheatre ReviewsTom Williams

The Fisherman

McGhan’s polished script puts a face on the middle class working stiffs who spent 35 years as airplane mechanics with fishing the Minnesota River as their main personal escape and recreation. The attention to details of these avid fisherman by McGhan and director Drew Martin nicely utilizes Alan Donahue’s impressive wooden wharf/pier set where the folks meet to socialize while fishing.

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REVIEWS BYTheatre ReviewsTom Williams

Oohrah!

Nothing gets resolved and we never know why anyone does what they do. Brunstetter’s attempt to show how ‘white trash’ military family’s live is offensive and implausible. This group never considered getting outside help to cope with their trauma. They just drift through life much as thus play drifts through two hours plus of our time.

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MUST SEEREVIEWSTheatre ReviewsTom Williams

Orpheus Descending

The acting is superb; the Southern accents are real; and the directing (by Julieanne Ehre skillfully avoids the trapping of melodrama). The drama is rich in subtly and hidden angst that leads to rage. Williams’ poetic language plays nicely with his rich symbolism. The result of all these elements is a powerful, searing drama. A Tennessee Williams play is not to be missed.

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REVIEWSREVIEWS BYTom Williams

A Catered Affair

A Catered Affair was based on the 1956 Bette Davis film and a Paddy Chayefsky TV play, is now a sort of chamber operetta filled extended recitative or singing dialogue that eventually breaks into a few actual songs then becomes a spoken dialogue drama that turns into an operetta again. One of the main problems with this structure is that the show is filled with actors who are not singers except Rebecca Finnegan. When you have loads of recitative early on sung so weakly as not to be understood, drowned out by a string quarter, the show doesn’t grab you.

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