Ruby Wilder
An icy tale of revenge that’s served hot. An excellent Halloween-season diversion—a psychologically suspenseful journey into the mind of victim-turned-vengeance-incarnate.
An icy tale of revenge that’s served hot. An excellent Halloween-season diversion—a psychologically suspenseful journey into the mind of victim-turned-vengeance-incarnate.
Richard Strauss’ music is avant-garde, grandiose, and dissonant. The power and emotional range of the tragedy is heard in the strength of the moving musical tones. They work marvelously with the tour de force performance by Christine Goerke in the title role
Kudos to the creatives at Light Opera Works for creating a revue of the finest songs from Viennese, Berlin, London, and American operettas. These wonderful songs can easily stand on their own devoid of plot. They range from waltzes, ballads, polkas, and marches contain lush music and fine lyrics; romance, frivolous encounters, often satirical, and sentimental tones prevail.
Questions: In a play titled The Mistakes Madeline Made, why are none of the characters named Madeline? In a play which the PR describes as being about a girl who develops Ablutophobia (the fear of bathing), why is a man always sitting in her bathtub? (Is he preventing her from bathing?) And, finally, who are these people and what is this play about?
These three short plays demonstrate Robert Holman’s immense talent as a writer as he weaves a subtle glimpse into the damage that war can make in unexpected ways on common folks. Holman’s clarity and depth of character is rich in compassion and truth. The Steep ensemble, led by Josh Salt, as Eric, Patricia Donegan, as May, and Lorraine Freund, a Helene, contained strong character studies. This is a moving glimpse into the consequences of war.
No one who has seen Stephen Sondheim’s Sunday in the Park with George will ever view the Art Institute’s famous Seurat painting in quite the same way. In fact, the painting itself becomes a character in the play — reflecting time and mood as lighting plays on it, shifting shadows. Pointillist painting and pointed play come to life simultaneously as each tree and figure in that famous park emerges on the huge theater backdrop.
Frankenstein is part Gothic novel, part romantic novel, and now, is considered one of the first science fiction novels. The name “Frankenstein” has become associated with “creature,” “monster”, “fiend”, “wretch”, “vile insect”, “daemon”, “being”, and “it.” The novel influenced all horror stories to follow.
Director Brenda Didier and music director Jeremy Ramey have mounted a fabulous musical revue of the songs of Jerry Leiber and Mike Stoller prolific composers of 60- 70’s pop, rick, R & B. blues and gospel tunes
Beginning with Poe’s character, Christian Gray’s gifted voice is beautiful for the gentle moments as well as the madness. He whispers, modulates and yet explodes passionately while crying out lines from his poems.
Zimmerman’s take on the Ovid poems necessitates being stage in water – here a square two foot deep pool as a universal symbol of transformation. Featuring many of the original cast and veterans of past productions, the 2012 production has a zest and polish seldom witnessed on stage. Metamorphoses is a vivid, often funny, and totally engaging and fluid theatrical piece of storytelling