Latest from Chicago Critic

Charlie’s description of how he would sink to the bottom of a swimming pool or lake waters slowly and sit on the bottom until his air ran out observing things above as they floated by was insightful. Nancy’s early dreams involved being a woman and doing all the ‘woman’ things. These early scenes had touches of satire, melancholy and light comedy.

But what makes this 42nd Street sizzle is the terrific performance by Nicole Miller, as the chorus girl, Peggy Sawyer, who, in her first show on Broadway, saves the the show by stepping in, at the last minute, to cover the star. Miller’s dancing is expert, her singing and acting is renders Sawyer as the true ingenue who becomes a star right before our eyes.

In the hands of a master storyteller like August Wilson, Jitney flows as high drama. Themes such as younger disrespecting older generations, the struggle of the working class to make a living, and changing social order and the uprooting of older neighborhoods are aptly dealt with in Jitney.

We see the groups routine, learn abut each one’s foibles, and experience the fluid relationships. From the stoic motherly Jenny (Rebecca Spence) to the chatty, aggressive Gwyneth (Mary Cross) to tea-maker Doris (Meg Warner to the child-like Dawn (Ashley Neal) to the naive teen newbie Meg (Amanda Powell) to the ‘by-the-rules Cynthia (Jodi Kingsley) and the mysterious, standoffish Chelsea(Katrina Kuntz) – we get to know and like each women. Here pace, expert acting and atmosphere make for a naturalistic atmosphere.