A mirroring of Bernie Madoff (Ponzi scheme orchestrator that took advantage of the vulnerabilities of Holocaust Survivors for billions of dollars), this father of two is likely to spend his life behind bars for his crimes leaving Judith, who had grown used to a suspiciously comfortable lifestyle, with next to nothing.
We meet Etta (Mary Ann Thebus), spry senior and devoted wife to her 91 year-old husband, Gerald (William J. Norris)-who suffers from extreme dementia. We see Gerald rant oblivious to who is around him. Sadly, we learn that he was a famed music professor. Tom, (Ernest Perry, Jr.), the the other resident who everyone believes is deaf.
These two parts of the healthcare plays are riveting theatre. They play together and separately. I’m not sure who the audience is for Let Me Down Easy or Mercy Strain since 20-30somethings and seniors alike don’t like to speak or thing about death and sickness. But the two performance (by Usman Ally and Michael Milligan) compel us to get to ATC.
With the exception of the extraordinary staging of one of the most memorable ever speeches, Lear’s ‘Blow wind and crack your cheeks..’ being shouted by him with his back to the audience, the production’s modern dress style was filled with engaging movement and visually skillful staging. The attention never wavered, even though it was like watching a foreign language play at times.This reviewer was seated at the extreme right of the thrust stage. Perhaps because of this, most of the language was unintelligible, with actors facing away. Added to this this was the indistinct delivery of the text, with actors allowed, or directed, to speak with great speed, as they would a Mamet text, often with poor enunciation and vocal projection.
Bernie Yvon had just recently celebrated his 50th birthday when he was killed by a Semi truck driving to rehearsal. He was scheduled to play a taxi driver in the musical “Women on the Verge of a Nervous Breakdown” at Theatre at the Center in Munster, Indiana. George Andrew Wolff will assume the role and the production will now open on September 21, with a tribute to Bernie planned following the show. Yvon was fortunate to be a working actor, and it was abundantly clear that he loved what he did as much as audiences loved watching him.
I can say that I had some issues with the highly theatrical take on the 19th Century Gothic novel. While the color-blind inter-racial casting works fine, the use of such accurate RP British accents was so dominate that the cast got so overwhelmed with their sounds that their characters came off as period-dressed costumes living in their RP speech at the expense of being believable real characters. Add much screaming and, at times, rapid-fire talking and many important plot details got lost in the over emotional over-the-top performances.
Bloch’s only opera is a tour de force making its Chicago premiere, but the much-touted camera work is mostly a distraction.
Death Tax suffers from a too extreme plot that necessitates us believing that nurses are easily corrupted and that nursing home can keep an unhealthy patient alive for more than twenty years. Also, no one seems willing to consider that Maxine’s paranoia is a delusion. Since Maxine is so nasty,I couldn’t care what happens to her. Death Tax is simply to contrived. The performances were terrific, especially from Deanna Dunagan and J. Nicole Brooks.
This show is wildly entertaining as Tony explains how important painting birds has been to him. He quotes Wallace Stevens’ poem “Thirteen Ways of Looking at a Blackbird, ” a meaningful poem to Tony. To visit several artists and urban personalities to get an unique view of their take on Chicago, birds and, of course, artistic mentors. Tony and Stan are folks worth getting to know. Their honesty, outspokenness and talent shines in this special show that easily makes us laugh and appreciate these characters. I guess Tony will always be a “Chicago legend” even if he leaves for the Big Easy.
CATS has a small story, but wonderful messages within many of its songs, and the creative brilliance of Paramount’s show makes it a must see. With CATS, all the superb singing and exciting dancing plays out the characteristics of different cats, which parallel people you probably know. And which cat do you most closely resemble? Find out with this breathtaking production at the Paramount Theatre only now through October 12, 2014.