John Stuckert, Chicago theater critic and ChicagoCritic contributorJohn Stuckert

John Stuckert reviewed 6 Chicago productions for ChicagoCritic.com in 2014.

How the Grinch Stole Christmas: The Musical (Chicago Theatre)

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I really enjoyed this show. It warms my heart to see kids having fun in the theater. I would love to see the Broadway in Chicago people put on more shows geared toward kids because that’s where the passion for theatre starts. This show has sing-a-longs, fake snow being blasted into the crowd (if you’d like to avoid the snow zone, avoid the center of the main floor, but why wouldn’t you love it?), and moments where he asks the children for the answer. It is truly an adorable production that you should definitely bring your children to if they love the book. They will have a blast! I’m not even a parent and I had a great time. Maybe it’s because I’m just a big kid.

Happy Days

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Happy Days, Samuel Beckett’s 1961 play of fleeting hope and endless woe colliding with one another, is at the core a fascinating subject. However, the content undoubtedly worked a lot more to shake up an audience in 1961 than in 2014. Theatre Y in Logan Square attempts to bring this morose menagerie into the 21st Century with the use of broken down technology piled up to the waist of our heroine. I spent time admiring the craftsmanship of this mound of monitors before the play began, but of course a well-constructed set is not what makes the play. Truly, the set can only serve to enhance or hinder the experience.

Bethany

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The Gift Theatre plays home to Bethany, making it’s Chicago debut. We all remember when the recession hit in 2009. We all knew we should’ve seen it coming, yet somehow so many of us still went through struggles. Those struggles are no stranger to Crystal or any of the other pieces in the puzzling production that was Bethany. Bethany tells us a tale of hardship and desperation and begs the question “How far would you go?”

Season on the Line

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Season on the Line follows the Bad Settlement Theater company, a once prominent company in their community who in recent years have hit new lows in both ticket sales and subsequently production quality. A dilapidated, musty old Motel Theater with a budget stretched thinner than razor wire. The scene opens with the new kid, just known as The Narrator, telling the story of how he became the Assistant Stage Manager (ASM

Evil Dead: The Musical – The National Tour

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I had the joyous opportunity to sit in the splatter zone, where I as well as the next 4 rows behind me got covered in fake blood. Cherry flavored fake blood! If you don’t want to be covered in fake blood, I highly advise that you don’t sit in the Splatter Zone. Now on the other hand, if you like that sort of thing and want to experience the blood almost like he’s chopping YOU up with a chainsaw, then I highly advise that you pay the extra few bucks to become part of the show and sit in the Splatter Zone. I highly recommend this production to my fellow fans of camp and carnage who just so happen to also love singing and shotguns. It’s quite an experience!

The Commons of Pensacola

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A mirroring of Bernie Madoff (Ponzi scheme orchestrator that took advantage of the vulnerabilities of Holocaust Survivors for billions of dollars), this father of two is likely to spend his life behind bars for his crimes leaving Judith, who had grown used to a suspiciously comfortable lifestyle, with next to nothing.

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