Search Results for: man in the ring

MUST SEEREVIEWSTheatre ReviewsTom Williams

Man of La Mancha at Marriott Theatre

The dignified gentleman, Miguel de Cervantes, played with honest and geniuse charm by Natheniel Stampley, gradually yet unflinchingly wins the souls of his cellmates as he effectively weaves the story of Don Quixote. From Stampley’s powerful opening number “I, Don Quixote” we know we’re on an amazing journey. When Stampley nails the memorable anthem “The Quest (The Impossible Dream),” the show penetrates directly into our hearts.

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REVIEWSTheatre Reviews

Hauptmann

Before he wrote the Tony Award-winning Red and the screenplays of The Aviator, The Last Samurai, and Gladiator, John Logan was fascinated by courtroom dramas. His early play Never the Sinner, about Nathan Leopold and Richard Loeb, played in Victory Gardens last year, and now, City Lit Theater is reviving Hauptmann for that play’s thirtieth anniversary. Artistic director Terry McCabe, who also directed Hauptmann’s world premiere at Stormfield Theatre, and has directed it several times since, including at Victory Gardens, calls it his favorite play.

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MUST SEEREVIEWSTheatre ReviewsTom Williams

One Man, Two Guvnors

Lovers of British comedy, lovers of classic commedia dell’ arte, and patrons of fearless uninhibited acting will be impressed by the stage craft in this show. Laughs reign here. You’ll be hard pressed to find a funnier comedy that One Man, Two Guvnors. This show begs for more commedial dell’ arte physical comedy productions to be mounted in Chicago. Get to Court Theatre to see for yourself what smart comedy is all about. this is one of the finest shows of the year!

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REVIEWSTheatre Reviews

One-Man Star Wars Trilogy

Ross’s retellings of The Empire Strikes Back and Return of the Jedi are a lot more similar to the fan-work genre today known as “The Abridged Series.” He comments more about the absurdities of the story, and drops in a lot more humorous references to the prequels, but also makes a greater effort to capture the emotional heart of the trilogy. Ross also throws in references to the memes and other bits of fan activity that have emerged since he created this show, prior to the rise of the internet or Episodes II and III, but these moments seldom overwhelm the basic point of telling the story.

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